Quote

Visual renditions of war not only establish what can be seen, and the audio-track established what can be heard, but the photographs also train us in ways of focusing on targets, ways of regarding suffering and loss.

Judith Butler

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Judith Butler
Age: 68
Born: 1956
Born: February 24
Art Theorist
Feminist
Journalist
Literary Critic
Philosopher
Sociologist
University Teacher
Writer
Cleveland
Ohio
Judith P. Butler
Judith Pamela Butler
Ways
Visuals
Seen
Visual
Heard
Established
Audio
Suffering
Target
Targets
War
Photograph
Regarding
Also
Track
Focusing
Way
Train
Photographs
Loss
Establish

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People need to know who I am and where I'm coming from.
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What does it mean then to live with one another? It can be unhappy, it can be wretched, it can be ambivalent, it can even be full of antagonism, but all of that can play out in the political sphere without recourse to expulsion or genocide. And that is our obligation, to stay in the sphere with whatever murderous rage we have, without acting on it.
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Gender is an identity tenuously constituted in time, instituted in an exterior space through a stylized repetition of acts.
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Maybe one of the jobs of theory or philosophy is to elevate principles that seem impossible, or that have the status of the impossible, to stand by them and will them, even when it looks highly unlikely that they'll ever be realised. But that's ok, it's a service.
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It wasn't possible just to rid oneself, simply, of the norms through which one is constituted.
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Every taxi driver I have ever spoken to has a theory of gender.
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Gender trouble is old. I mean, you know, in New York, it is old. I mean it's sweet. I mean people are really kind about it but it's like a former love affair you had and you're done.
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Do we need recourse to a happier state before the law in order to maintain that contemporary gender relations and the punitive production of gender identities are oppressive?
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Not all bodies are born in male or female. There is a continuum of bodies and it seems to me that trying to persuade medical and psychiatrist establishments to deal with the intersex involves critique of the binary gender system. Similarly there continues to be extreme, sometimes very extreme violence against transgender people.
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So for instance in rap music, you very often hear words that would seem very racist, or very misogynous or very homophobic but in some of those instances, the words are being taken back or redefined so that they lose their injurious quality.
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The critical image... must not only fail to capture its referent, but show its failure.
Judith Butler
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Surely binationalism is not love, but there is, we might say, a necessary and impossible attachment that makes a mockery of identity, an ambivalence that emerges from the decentering of the nationalist ethos and that forms the basis of a permanent ethical demand.
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I think we have to ask, not, what Gender trouble is today but where Gender trouble is today.
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Perhaps we have to remember that there are forms of outrage that do not lead to any sort of mobilization, and there are ways of registering the facts that do not lead to outrage.
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What we need is a political and joyous alternative to the behaviorist discourse, the Christian discourse on evil or sin, and the convergence of the two in forms of gender policing that [is] tyrannical and destructive.
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It seems, though, that historically we have now reached a position in which Jews cannot legitimately be understood always and only as presumptive victims.
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There are ordinary spaces where people do, more or less, share neighbourhoods. In Haifa, there are whole communities that are more or less integrated. But of course that is with Palestinian Israelis who have, for the most part, accepted certain kinds of cooperative models, and also accept second-class citizenship.
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There are surely many ways that [media select and contextualise events determine the boundaries of public thinking] happens, but we can note at the most obvious level the way in which forms of resistance or violence get cast as conflicts that assume two sides that are fighting only against one another.
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As we interpret ourselves differently, we also live ourselves differently.
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Photography has a relation to intervention, but photographing is not the same as an intervening.
Judith Butler