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I have no control over a film. I don't know what will be left on the cutting floor.

Judi Dench

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Judi Dench
Age: 89
Born: 1934
Born: December 9
Autobiographer
Film Actor
Film Actress
Film Director
Stage Actor
Television Actor
Theatrical Director
Voice Actor
Jórvík
Dame Judi Dench
Judith Olivia Dench
Dame Judith Olivia Dench
Film
Floor
Cutting
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More quotes by Judi Dench

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The Lord Chamberlin was censoring scripts when I first came into the theater.
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Most things don't work out as expected, but what happens instead often turns out to be the good stuff.
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Some things you know about, you know what the ingredients are - maybe not all of them. But it's up to you to put in the amount. It's up to the director to nag you until you get it right.
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We know about the issue of children being sold and adopted and taken away but what is so extraordinary is how these two people come through something like - how both of them do, in actual fact. I think that she's one of the most considerable people I've ever met, Philomena.
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I get sillier as I get older, so I don't know what wisdom means. I can only pass on something that I've been acquainted with and let whomever it is pick the bones out of it
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Everything, every part that you approach has to be somehow rooted in yourself. You have to somehow root everything so that it's not just words coming out of you.
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The more I do, the more frightened I get. But that is essential. Otherwise why would I go on doing it?
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Every experience that you experience yourself you use, because that's our craft.
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It is not good to cross the bridge before you get to it.
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I don't think that care homes are all rotten old places that ought to be shut down.
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I was in Yorkshire. We were a family of five and I used to be sent sometimes to get the rations for the week and was easily able to carry them back. It was like one egg and a tiny bit of tea.
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I once said to someone when I was playing Lady Macbeth and they said: That's tricky, emotionally, what do you do about murdering your husband's cousin? And there are, of course, things that aren't in your personal repertoire that you have to somehow understand by reading or watching other things and listening to other people talk about them.
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Work certainly does help fill a void.
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I work out the other bits, too, but I need to know what I look like, very early on. And then it's like a template I'll fill that person out. If I get that out of the way, then I'm all right.
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People think you know beforehand when you win an Oscar - I can assure you you don't.
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I would like to work with Jack Nicholson, before it's too late.
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It is true that there are few plays of Shakespeare that I haven't done.
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I'd rather do a part because I want to, not because great things are expected of me.
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It takes courage to recognize the real as opposed to the convenient.
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I think you can teach people a technique - you can teach them how to use their voices, how to breathe properly, how to move their limbs a certain way. But to actually explain how one performs comedy or drama or tragedy isn't the same as the movements one makes.
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