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The more I do, the more frightened I get. But that is essential. Otherwise why would I go on doing it?

Judi Dench

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Judi Dench
Age: 90
Born: 1934
Born: December 9
Autobiographer
Film Actor
Film Actress
Film Director
Stage Actor
Television Actor
Theatrical Director
Voice Actor
Jórvík
Dame Judi Dench
Judith Olivia Dench
Dame Judith Olivia Dench
Frightened
Essential
Essentials
Otherwise
Would

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I get sillier as I get older, so I don't know what wisdom means. I can only pass on something that I've been acquainted with and let whomever it is pick the bones out of it
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Having a daughter and a grandson, I certainly could relate to the fact that this child, who you simply dote on, being taken away from you at an early age, and every single kind of emotion you would have to go through.
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We know about the issue of children being sold and adopted and taken away but what is so extraordinary is how these two people come through something like - how both of them do, in actual fact. I think that she's one of the most considerable people I've ever met, Philomena.
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I would like to work with Jack Nicholson, before it's too late.
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I started off as a theatre designer, and by some extraordinary circumstance I saw something in Stratford-upon-Avon, and realized that that's the kind of design I want, but also that that's the kind of designer I'll never be.
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There is no past that we can bring back by longing for it.
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Sometimes nudity is gratuitous. We just live in a society where everything goes.
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In the theatre you can change things ever so slightly it's an organic thing. Whereas in film you only have that chance on the day, and you have no control over it at all.
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I think you can teach people a technique - you can teach them how to use their voices, how to breathe properly, how to move their limbs a certain way. But to actually explain how one performs comedy or drama or tragedy isn't the same as the movements one makes.
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It takes courage to recognize the real as opposed to the convenient.
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Everything, every part that you approach has to be somehow rooted in yourself. You have to somehow root everything so that it's not just words coming out of you.
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The Lord Chamberlin was censoring scripts when I first came into the theater.
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I have a completely new knee. It's brilliant. I am not feeling my age at all. I feel about 43, a willowy blonde 43 years old with long legs.
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The only real failure is the failure to try.
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The theater is the thing I love doing most.
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I work out the other bits, too, but I need to know what I look like, very early on. And then it's like a template I'll fill that person out. If I get that out of the way, then I'm all right.
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I just feel incredibly lucky to be employed when there are so many actors and actresses who are not employed. That's why, you know, I sometimes feel desperate, in case I'm not going to be cast again.
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It was good to learn so early. They're not going to be kind to you. You have to do it and get on, and then gulp down and get better.
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Every experience that you experience yourself you use, because that's our craft.
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