Quote

The ones [comedies] that I always liked, whether it's Terms of Endearment, Broadcast News, or Fast Times of Ridgemont High, they were all about two hours, or a little bit over two hours. With that extra 15 or 20 minutes, you can get to real character and you're not just stuck in plot.

Judd Apatow

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Judd Apatow
Age: 56
Born: 1967
Born: December 6
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Showrunner
Television Actor
Television Director
Television Producer
Voice Actor
Syosset
New York
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Times
Ones
Extra
Two
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Character
Comedy
Plot
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Liked
Little
High
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Fast
Endearment
Always
Hours
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Broadcast

More quotes by Judd Apatow

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When I notice that all the beats sound exactly the same, it starts to wear on me.
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Most people are really fighting to not be adults. And, when it happens, it's a big transition. And a lot of that is just awful. It's awful to have to get a job and really be responsible for other people. And it is funny, too. Like, we're all kind of little idiot kids trying to act like we know what we are doing.
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There are people that entertainment is something they do at the end of a long hard day at work, and they want to be entertained and have it over quickly. They're like, Entertain me fast!
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I just try to be true to myself and write about things I'm passionate about. I think what most people don't like about movies is they can tell that most movies are a product, and they don't mean that much to the people who make them.
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I loved the idea that I could write a joke and someone else would have to take the risk of performing it.
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I love the Lonely Island. I wish there was more Lonely Island movies.
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I still feel like a weird kid who is about to take a punch in the face. So, I think it's permanent.
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Penn [Jillette] and Teller and I get along very well. We can call each other and say, I'm working on this classic effect. Please, I'd like to do it for a while. We'll all respect it. There are people we don't get along with, but mostly there is a respect amongst the group.
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I used to tour a little bit with Jim Carrey and help him out on his first Showtime special.
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I've come to believe that the simpler the title, the better. Whenever I try to get cute with it, it seems to be a problem but if it's just The 40-Year-Old Virgin, people seem to know what they're in for.
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I remember the Time review [on the Hit and Run]said that there wasn't one laugh in it. And I had watched the movie 50 times with audiences, and it always played great. There was certainly a moment where you could tell the audience was like, Wow, this is really getting weird.
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There's something so scary about trying out new material and being completely comfortable jumping into the abyss with a comedic idea.
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It's so funny, all the similarities that we have [with David Copperfield] of being obsessed young people and finding a way to be around the people doing what we want to do.
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I was in the recording studio when Pink was recording for a part of the gay rights anthem. It was just amazing to watch her perform. She's just such an incredible singer. She so funny, and so smart, yet she's doing it for this silly, silly song.
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I think that everything I do tends to root for the underdog.
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No matter how much you love someone, on a bad day, you could say something terrible. All of the little things that you are saving to say, that you're mad about but never express, sometimes come out, all at once. We all have these terrible moments. That's just part of being human.
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Nobody's going to like my next movie because they liked Trainwreck [2015]. It has to work on its own, and that keeps it really scary.
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I don't really get attached to anything. I'm pretty brutal about cutting stuff. With each successful movie, I've discovered anything that's not connected to the immediate story is going to be cut out of it.
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I think a lot of Hollywood is in retreat right now trying to figure out how to make money and make the safest bets.
Judd Apatow
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[My] dream writers room: 'Taxi.' I need to write for someone named Judd.
Judd Apatow