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I definitely learned to embrace the quiet moments onstage from Garry Shandling - relaxing and not fighting with the crowd, not raising your voice, not ever trying to win them over.

Judd Apatow

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Judd Apatow
Age: 57
Born: 1967
Born: December 6
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Showrunner
Television Actor
Television Director
Television Producer
Voice Actor
Syosset
New York
Ever
Definitely
Trying
Embrace
Shandling
Quiet
Garry
Learned
Relaxing
Winning
Onstage
Fighting
Raising
Voice
Crowd
Moments
Crowds

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I was a guest on Comedians in Cars Getting Coffee with Jerry Seinfeld, and I interviewed him when I was 15 years old-those moments really blow your mind.
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No matter how much you love someone, on a bad day, you could say something terrible. All of the little things that you are saving to say, that you're mad about but never express, sometimes come out, all at once. We all have these terrible moments. That's just part of being human.
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I very rarely made any move to direct anything. I didn't have any faith in myself.
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I always thought that Seth [Rogen] was a fun, caustic, bombastic, sweet, underdog-type of person that I would root for the way you used to root for Bill Murray or John Candy in Stripes. Seth had something that very few people you encounter have: he had a writer's mind and he had his own comic point of view.
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I worshipped guys like Bill Maher, Jay Leno, and Jerry Seinfeld, and was doing my variation of that. But as a young person with no political point of view or life experience, it was as funny as you can imagine.
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Deer are like dogs. Except for Bambi, they're pretty personality-less.
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I'm just trying to be truthful and collaborate with people who have interesting things to say.
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I feel like Superbad and Freaks And Geeks are somewhat timeless. That's always gratifying, when you feel like 30 years in the future, people will still get it, and it won't seem creaky. It won't come across like The Incredible Mr. Limpet.
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We are at this weird moment where there's an economic model that supports creativity. People are demanding something new and fresh.
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I really think more about being honest and truthful about feelings and how people behave for the movies that I direct, but I also love movies like Zohan and Anchorman, just balls to the wall, how much can you make people laugh in one 90 minute period.
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I don't really get attached to anything. I'm pretty brutal about cutting stuff. With each successful movie, I've discovered anything that's not connected to the immediate story is going to be cut out of it.
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I've come to believe that the simpler the title, the better. Whenever I try to get cute with it, it seems to be a problem but if it's just The 40-Year-Old Virgin, people seem to know what they're in for.
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My way of dealing with the world has always been to make fun of it and observe it but not take part in it.That's how I became a writer. But when you have kids, suddenly you have to be part of things. It leads almost to a breakdown because your whole defense mechanism is now really destructive.
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Every joke is an experiment. When you sit, alone, and write a script, or just a joke, you really have no idea if it will succeed.
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I don't want to be ordinary. I'm willing to do the work. I'm willing to suffer the indignities of comedy because I want to be great. I don't want to just be good. I want to be great.
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I like when people are very passionate about what they want to write about. Even if it's silly, you can be very passionate about it.
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The ones [comedies] that I always liked, whether it's Terms of Endearment, Broadcast News, or Fast Times of Ridgemont High, they were all about two hours, or a little bit over two hours. With that extra 15 or 20 minutes, you can get to real character and you're not just stuck in plot.
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There are only so many hilarious actors so when they cross-pollinate, people assume it's always the same actors and directors.
Judd Apatow
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I get literally a physical sensation of low self-esteem that is a result of not engaging the world and getting comfortable that way.
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You should look up some of the reviews. The New York Times review is so over-the-top funny. It's hysterical. You should dig it out.
Judd Apatow