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The great end of all arts is to make an impression on the imagination and the feeling. The imitation of nature frequently does this. Sometimes it fails and something else succeeds.
Joshua Reynolds
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Joshua Reynolds
Age: 69 †
Born: 1723
Born: January 1
Died: 1792
Died: January 1
Painter
Plympton St Mary
Sir Joshua Reynolds
Sir Joshua Reynold
Sir Joshua Raynolds
Sir Reynolds
Sir Joshua Reynolds RA
Joshua Reynolds Sir
J.
Sir Reynolds
Joshua
Sir Reynolds
Joshua Reynolds (Sir)
sir j. reynolds
S. J. Reynolds
Sir J. Reynods
j. reynolds
Sir J. Reynold
Sir J. Reynoulds
S.J. Reynolds
Sir Jos Reynolds
[Sir Joshua Reynolds]
Mr. Reynolds
Doe
Imagination
Succeeds
Sometimes
Feeling
Fails
Great
Purpose
Imitation
Something
Feelings
Frequently
Make
Art
Arts
Else
Impression
Nature
Succeed
Ends
Failing
More quotes by Joshua Reynolds
I do not see in what manner practice alone can be sufficient for the production of correct, excellent, and finished pictures. Works deserving this character never were produced, nor ever will arise, from memory alone.
Joshua Reynolds
Martial music has sudden and strongly marked transitions from one note to another which that style of music requires while in that which is intended to move the softer passions, the notes imperceptibly melt into one another.
Joshua Reynolds
A painter must not only be of necessity an imitator of the works of nature... but he must be as necessarily an imitator of the works of other painters. This appears more humiliating, but is equally true and no man can be an artist, whatever he may suppose, upon any other terms.
Joshua Reynolds
The mind is but a barren soil a soil which is soon exhausted, and will produce no crop, or only one, unless it be continually fertilized and enriched with foreign matter.
Joshua Reynolds
Few have been taught to any purpose who have not been their own teachers.
Joshua Reynolds
Our Exhibitions [The Royal Academy] have... a mischievous tendency, by seducing the Painter to an ambition of pleasing indiscriminately the mixed multitude of people who resort to them.
Joshua Reynolds
A painter must compensate the natural deficiencies of his art. He has but one sentence to utter, but one moment to exhibit. He cannot, like the poet or historian, expatiate, and impress the mind.
Joshua Reynolds
Certainly, nothing can be more simple than monotony.
Joshua Reynolds
You are never to lose sight of nature the instant you do, you are all abroad, at the mercy of every gust of fashion, without knowing or seeing the point to which you ought to steer.
Joshua Reynolds
Genius is supposed to be a power of producing excellences which are put of the reach of the rules of art: a power which no precepts can teach, and which no industry can acquire.
Joshua Reynolds
Let me recommend to you not to have too great dependence on your practice or memory, however strong those impressions may have been which are there deposited. They are forever wearing out, and will be at least obliterated, unless they are continually refreshed and repaired.
Joshua Reynolds
By leaving a student to himself he may... be led to undertake matters above his strength, but the trial will at least have this advantage: it will discover to himself his own deficiencies and this discovery alone is a very considerable acquisition.
Joshua Reynolds
Whatever trips you make, you must still have nature in your eye.
Joshua Reynolds
Every art, like our own, has in its composition fluctuating as well as fixed principles. It is an attentive inquiry into their difference that will enable us to determine how far we are influenced by custom and habit, and what is fixed in the nature of things.
Joshua Reynolds
The great use of copying, if it be at all useful, should seem to be in learning color yet even coloring will never be perfectly attained by servilely copying the model before you.
Joshua Reynolds
Common observation and a plain understanding is the source of all art.
Joshua Reynolds
By close inspection... you will discover the manner of handling the artifices of contrast, glazing, and other expedients, by which good colorists have raised the value of their tints, and by which nature has been so happily imitated.
Joshua Reynolds
Though colour may appear at first a part of painting merely mechanical, yet it still has its rules, and those grounded upon that presiding principle which regulates both the great and the little in the study of a painter.
Joshua Reynolds
The distinct blue, red, and yellow colors... though they have not the kind of harmony which is produced by a variety of broken and transparent colors, have the effect of grandeur.
Joshua Reynolds
Style in painting is the same as in writing a power over materials, whether words or colors, by which conceptions or sentiments are conveyed.
Joshua Reynolds