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A painter must compensate the natural deficiencies of his art. He has but one sentence to utter, but one moment to exhibit. He cannot, like the poet or historian, expatiate, and impress the mind.
Joshua Reynolds
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Joshua Reynolds
Age: 69 †
Born: 1723
Born: January 1
Died: 1792
Died: January 1
Painter
Plympton St Mary
Sir Joshua Reynolds
Sir Joshua Reynold
Sir Joshua Raynolds
Sir Reynolds
Sir Joshua Reynolds RA
Joshua Reynolds Sir
J.
Sir Reynolds
Joshua
Sir Reynolds
Joshua Reynolds (Sir)
sir j. reynolds
S. J. Reynolds
Sir J. Reynods
j. reynolds
Sir J. Reynold
Sir J. Reynoulds
S.J. Reynolds
Sir Jos Reynolds
[Sir Joshua Reynolds]
Mr. Reynolds
Moments
Impress
Art
Historian
Cannot
Sentence
Deficiencies
Must
Painter
Compensate
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Sentences
Exhibit
Like
Poet
Deficiency
Moment
Exhibits
Natural
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More quotes by Joshua Reynolds
The great end of all arts is to make an impression on the imagination and the feeling. The imitation of nature frequently does this. Sometimes it fails and something else succeeds.
Joshua Reynolds
Excellence is never granted to man but as the reward of labor. It argues no small strength of mind to persevere in habits of industry without the pleasure of perceiving those advances, which, like the hand of a clock, whilst they make hourly approaches to their point, yet proceed so slowly as to escape observation.
Joshua Reynolds
It is but a poor eloquence which only shows that the orator can talk.
Joshua Reynolds
A mere copier of nature can never produce any thing great, can never raise and enlarge the conceptions, or warm the heart of the spectator.
Joshua Reynolds
From a slight, undetermined drawing, where the ideas of the composition and character are just touched upon, the imagination supplies more than the painter himself, probably, could produce. And we accordingly often find that the finished work disappoints the expectation that was raised from the sketch.
Joshua Reynolds
Common observation and a plain understanding is the source of all art.
Joshua Reynolds
A painter must not only be of necessity an imitator of the works of nature... but he must be as necessarily an imitator of the works of other painters. This appears more humiliating, but is equally true and no man can be an artist, whatever he may suppose, upon any other terms.
Joshua Reynolds
Few have been taught to any purpose who have not been their own teachers.
Joshua Reynolds
There is no expedient to which a man will not resort to avoid the real labor of thinking.
Joshua Reynolds
Though colour may appear at first a part of painting merely mechanical, yet it still has its rules, and those grounded upon that presiding principle which regulates both the great and the little in the study of a painter.
Joshua Reynolds
Gardening as far as Gardening is Art, or entitled to that appellation, is a deviation from nature for if the true taste consists, as many hold, in banishing every appearance of Art, or any traces of the footsteps of man, it would then be no longer a Garden.
Joshua Reynolds
While I recommend studying the art from artists, Nature is and must be the fountain which alone is inexhaustible, and from which all excellences must originally flow.
Joshua Reynolds
The mind is but a barren soil a soil which is soon exhausted, and will produce no crop, or only one, unless it be continually fertilized and enriched with foreign matter.
Joshua Reynolds
The art of seeing nature, or, in other words, the art of using models, is in reality the great object, the point to which all our studies are directed.
Joshua Reynolds
I do not see in what manner practice alone can be sufficient for the production of correct, excellent, and finished pictures. Works deserving this character never were produced, nor ever will arise, from memory alone.
Joshua Reynolds
The painter of genius will not waste a moment upon those smaller objects which only serve to catch the sense, to divide the attention, and to counteract his great design of speaking to the heart.
Joshua Reynolds
The distinct blue, red, and yellow colors... though they have not the kind of harmony which is produced by a variety of broken and transparent colors, have the effect of grandeur.
Joshua Reynolds
The spectator, as he walks the gallery, will stop, or pass along. To give a general air of grandeur at first view, all trifling, or artful play of little lights, or an attention to a variety of tints is to be avoided a quietness and simplicity must reign over the whole work, to which a breadth of uniform and simple color will very much contribute.
Joshua Reynolds
Reform is a work of time a national taste, however wrong it may be, cannot be totally changed at once.
Joshua Reynolds
An eye critically nice can only be formed by observing well-colored pictures with attention.
Joshua Reynolds