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The art of seeing nature, or, in other words, the art of using models, is in reality the great object, the point to which all our studies are directed.

Joshua Reynolds

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Joshua Reynolds
Age: 69 †
Born: 1723
Born: January 1
Died: 1792
Died: January 1
Painter
Plympton St Mary
Sir Joshua Reynolds
Sir Joshua Reynold
Sir Joshua Raynolds
Sir Reynolds
Sir Joshua Reynolds RA
Joshua Reynolds Sir
J.
Sir Reynolds
Joshua
Sir Reynolds
Joshua Reynolds (Sir)
sir j. reynolds
S. J. Reynolds
Sir J. Reynods
j. reynolds
Sir J. Reynold
Sir J. Reynoulds
S.J. Reynolds
Sir Jos Reynolds
[Sir Joshua Reynolds]
Mr. Reynolds
Art
Object
Nature
Using
Reality
Models
Great
Objects
Study
Seeing
Point
Studies
Words
Directed

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The real character of a man is found out by his amusements.
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A painter must not only be of necessity an imitator of the works of nature... but he must be as necessarily an imitator of the works of other painters. This appears more humiliating, but is equally true and no man can be an artist, whatever he may suppose, upon any other terms.
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Gardening as far as Gardening is Art, or entitled to that appellation, is a deviation from nature for if the true taste consists, as many hold, in banishing every appearance of Art, or any traces of the footsteps of man, it would then be no longer a Garden.
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A passion for his art, and an eager desire to excel, will more than supply an artist with the place of method.
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Every art, like our own, has in its composition fluctuating as well as fixed principles. It is an attentive inquiry into their difference that will enable us to determine how far we are influenced by custom and habit, and what is fixed in the nature of things.
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It is impossible that anything will be well understood or well done that is taken into a reluctant understanding, and executed with a servile hand.
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The great end of all arts is to make an impression on the imagination and the feeling. The imitation of nature frequently does this. Sometimes it fails and something else succeeds.
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It is vain for painters... to endeavour to invent without materials on which the mind may work.
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Poetry operates by raising our curiosity, engaging the mind by degrees to take an interest in the event, keeping that event suspended, and surprising at last with an unexpected catastrophe.
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It is but a poor eloquence which only shows that the orator can talk.
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Genius is supposed to be a power of producing excellences which are put of the reach of the rules of art: a power which no precepts can teach, and which no industry can acquire.
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Our studies will be forever, in a very great degree, under the direction of chance like travelers, we must take what we can get, and when we can get it - whether it is or is not administered to us in the most commodious manner, in the most proper place, or at the exact minute when we would wish to have it.
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And he who does not know himself does not know others, so it may be said with equal truth, that he who does not know others knows himself but very imperfectly.
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Nothing is denied to well-directed labor.
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The painter of genius will not waste a moment upon those smaller objects which only serve to catch the sense, to divide the attention, and to counteract his great design of speaking to the heart.
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Let me recommend to you not to have too great dependence on your practice or memory, however strong those impressions may have been which are there deposited. They are forever wearing out, and will be at least obliterated, unless they are continually refreshed and repaired.
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The mind is but a barren soil a soil which is soon exhausted, and will produce no crop, or only one, unless it be continually fertilized and enriched with foreign matter.
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The excellence of every art, must consist in the complete accomplishment of its purpose
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He who resolves never to ransack any mind but his own, will be soon reduced, from mere barrenness, to the poorest of all imitations he will be obliged to imitate himself, and to repeat what he has before often repeated.
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You are never to lose sight of nature the instant you do, you are all abroad, at the mercy of every gust of fashion, without knowing or seeing the point to which you ought to steer.
Joshua Reynolds