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My father deprived me of any truths about himself. He died without ever letting me know who he truly was. I only knew his facades, basically. And it breaks my heart that he never trusted me enough to tell me the truth.

Joshua Mohr

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Joshua Mohr
Age: 48
Born: 1976
Born: July 8
Author
Writer
Never
Break
Breaks
Father
Trusted
Tell
Truths
Truth
Letting
Ever
Basically
Without
Died
Facades
Enough
Truly
Facade
Heart
Knew
Deprived

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I like art that trusts its audience, that's written for readers who like to work hard. I like art that knows its readers are up to the challenge of interacting with difficult material.
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I always wished to be a better planner. It seems more elegant, while my trial and error process is more akin to someone scratching an awful case of poison oak.
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The more we're doing to ensure we're following our joy and passion, that's when we really start to put the gas in our lives.
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It was important to buy into the fact that the nine hundred pages an end-reader never sees are just as valuable as the ones that are bound and placed on the shelf.
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I'm a semi-failed writer, but I'm a capital-F Failed musician.
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My musical sensibilities were formed around punk rock, that quintessential dilution of an art that's both ugly and lovely at the same time.
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In my life the right question is simply this: What can I do to be happy today?
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No matter what we've done, no matter the disappointments and sullied blunders, today is the opportunity to do right by ourselves.
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We have today and hopefully tomorrow to be the best version of ourselves.
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I never wanted/expected to write a memoir, but this life thing, it has a way of sideswiping our worlds, scaring us so thoroughly that our past lenses of contextualizing events don't work - they cease to matter.
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For the book to succeed, it has to have equal parts ugliness and beauty, counterpoints adding up to emotional complexity. To me, there's a dignity in letting your art be emotionally complex.
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The point of reading is to inhabit a consciousness that doesn't belong to the reader, immersing yourself in a life that's wholly realized. And a huge facet of our psychic and existential make-ups is the things we're not proud of, things we didn't ask to experience, the scenarios we flubbed.
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It's important to write like your readers are brilliant.
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I want to be the kind of adult that keeps learning. I want to always be open to new experiences.
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Memoir is a unique opportunity to revisit yourself. I don't mean by memory. I mean in the revision process. You don't just write a chapter and that's it. You must constantly return to it. You must dote on it. And even if it's saying something ugly about who you are, you have to find the poetry in it. You have to find the poetry in yourself.
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If a character is honest with a reader, then (hopefully) that will engage the reader's empathy centers she'll meet that openness with acceptance, and they'll forge a nourishing and meaningful bond as the book continues.
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Shamefulness is always a huge part of my characterizations. I like protagonists that reveal, either through honesty in their various thought processes or via their actions, perhaps telling us things they're not so keen on disclosing through their interactions with the outside world. Probably both during the duration of a novel.
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The question why, at least in my life, often leads to despair. Why did this happen to me? Why didn't someone who claimed to love me treat me with respect, compassion, kindness? Etc. These questions never have answers. They are an ocean, and you'll never swim to the other side. Eventually, you'll tire and die.
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