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I always wished to be a better planner. It seems more elegant, while my trial and error process is more akin to someone scratching an awful case of poison oak.

Joshua Mohr

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Joshua Mohr
Age: 48
Born: 1976
Born: July 8
Author
Writer
Case
Wished
Cases
Trial
Process
Elegant
Someone
Error
Planner
Seems
Poison
Scratching
Better
Trials
Planners
Always
Awful
Akin
Errors
Oaks

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It's a beautiful aspect of narrative construction, hunting for the right images and metaphors to render our character's hearts/minds/souls as though they're ecosystems, full-fledged settings for a reader to inhabit like a place.
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I like art that trusts its audience, that's written for readers who like to work hard. I like art that knows its readers are up to the challenge of interacting with difficult material.
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My father deprived me of any truths about himself. He died without ever letting me know who he truly was. I only knew his facades, basically. And it breaks my heart that he never trusted me enough to tell me the truth.
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For the book to succeed, it has to have equal parts ugliness and beauty, counterpoints adding up to emotional complexity. To me, there's a dignity in letting your art be emotionally complex.
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I'm not a gamer. But I am very aware of the escapism of drugs. In my mind those kind of do the same thing. They dull us to the aches and pains of our status quo.
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I struggle with staying clean every day, and what really keeps me from doing something stupid is my daughter.
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It's important to write like your readers are brilliant.
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If Dante was writing The Divine Comedy in 2013, he might very well have set part of it in the suburbs.
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I'm a semi-failed writer, but I'm a capital-F Failed musician.
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I want to be the kind of adult that keeps learning. I want to always be open to new experiences.
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It was important to buy into the fact that the nine hundred pages an end-reader never sees are just as valuable as the ones that are bound and placed on the shelf.
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Memoirs need confusion. It's the thing every human has in common. We are magnificently confused.
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My musical sensibilities were formed around punk rock, that quintessential dilution of an art that's both ugly and lovely at the same time.
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The more we're doing to ensure we're following our joy and passion, that's when we really start to put the gas in our lives.
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Shamefulness is always a huge part of my characterizations. I like protagonists that reveal, either through honesty in their various thought processes or via their actions, perhaps telling us things they're not so keen on disclosing through their interactions with the outside world. Probably both during the duration of a novel.
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We have today and hopefully tomorrow to be the best version of ourselves.
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I never wanted/expected to write a memoir, but this life thing, it has a way of sideswiping our worlds, scaring us so thoroughly that our past lenses of contextualizing events don't work - they cease to matter.
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In my life the right question is simply this: What can I do to be happy today?
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Memoir is a unique opportunity to revisit yourself. I don't mean by memory. I mean in the revision process. You don't just write a chapter and that's it. You must constantly return to it. You must dote on it. And even if it's saying something ugly about who you are, you have to find the poetry in it. You have to find the poetry in yourself.
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I used to consider myself to be a cineophile, and then I had a daughter. Ha! Now I barely see any movies.
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