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What drew me to the violin was mastering the instrument technically, which I'm continuing to do.

Joshua Bell

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Joshua Bell
Age: 57
Born: 1967
Born: December 9
Music Pedagogue
Musician
Violinist
Bloomington
Indiana
Joshua David Bell
Technically
Drew
Violin
Continuing
Instrument
Instruments
Mastering

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We live in the least ugly time in history.
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I open up my violin case every day, and have one of the great creations. It is very inspiring. It makes you want to practice. How can you open up a case and look at a violin that was made in 1713 by one of the greatest artists in history and then say, No, I don't feel like practicing today.
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I grew up in a musical family, but nobody was a professional musician.
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There are some great teachers who have had great students, but they themselves can't play a note. I don't understand it, because the most I learned from my teacher was just hearing him play.
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I always find it funny when people say, I don't really like classical music or it doesn't do anything for me. I tell them, Well, you know, it does. You go to films and you're responding to it, and you've heard it... It's controlling you! So don't think you're not being affected. It's a great medium for music.
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Music plays a huge role in the movie. The music in Star Wars, I can't imagine what the movie would have been like without it. It made the film.
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I don't want to portray myself as a daredevil. I'm not at all.
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I want to do everything. That's my problem.
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The best way to refine an interpretation is by getting out and performing.
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No one tells you what to do if you completely flop at the beginning of a performance.
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I write arrangements. Im sort of a wannabe composer.
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When you play a violin piece, you are a storyteller, and you're telling a story.
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Although I hardly ever turn on the TV set unless it's football season, I do watch a lot of TV on my iPad - perfect for long airplane journeys.
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I never had any real expectations about what sort of success I would have or all the publicity.
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Every orchestra is different. Sometimes, you're blown away by a particular musician. If I'm playing the Brahms concerto, it's crucial to have a great oboe player, because we work in tandem.
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If you mess up the tiniest little thing in the Beethoven concerto, or the phrasing isn't just exactly perfectly executed, Beethoven brings out the worst in the best violinist. You almost never hear a satisfying performance, because it doesn't play itself.
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Being a classical musician, you're doing many things anyway. One day you're doing Bach concerto and the next you're doing some avant-garde thing. It's just another hat that I'm allowed to wear.
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So much of performing is a mind game.
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At a music hall, I'll get upset if someone coughs or if someone's cellphone goes off.
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