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The attitude of the director is really important, in terms of setting tone.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Terms
Attitude
Term
Important
Settings
Really
Tone
Director
Setting
Directors

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To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
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Acting on stage is still my favorite thing to do. And everyone who's been in musicals knows that there is nothing more fun.
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If I’m feeling something, I have a lot of different ways to express it, you know? I can write an article about it. I can write a screenplay about it. I can act in someone’s thing.
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I think the word 'earnest' kind of has a negative connotation on some level. I think one of the things that's happened is that being cynical is somehow conflated with being sophisticated. I think that's problematic, to say the least.
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There's that great Bill Hicks line - the comedian - where he says, Are you proud to be an American? I don't know. It's just where my parents had sex.
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A lot of times, we're just sold these movies that are really cynically conceived and marketed, and they just want you there opening weekend, before everybody finds out it's not so good.
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I learned to choose my battles. Sometimes I let my producer deal with something that I didn't want to deal with.
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A movie can and should have some real dissonance throughout - rage, heartache, tears, conflict, catharsis and all the other elements Aristotle demanded of a good story - but the chord has to be resolved.
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I distinguish sentiment from sentimentality. Sentimentality makes your skin crawl. It's like too much sugar. But, sentiment is a great feeling.
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Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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It really shocks me when I encounter people who think kindness doesn't matter. Because I think it's pretty much the only thing that matters.
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I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies.
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And as a filmmaker, I'm trying to unhook myself from this idea that unless you have a brilliant, long, enormously lucrative theatrical run, that your movie somehow failed. And I don't believe that.
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It never made sense to me that someone would achieve any kind of success in show business, only to become a jerk.
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I don’t think evil people or negative people are inherently interesting all the time. People who are good people getting better at being themselves - to me, that’s something that’s really interesting to watch.
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Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
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It's not our job to play judge and jury, to determine who is worthy of our kindness and who is not. We just need to be kind, unconditionally and without ulterior motive, even - or rather, especially - when we'd prefer not to be.
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But, yeah, I'm really happy when I'm writing. When I'm being creative and when I have something that I can put down. You know, if you go out and you overhear a conversation or you have a thought, you have a receptacle to go home and say, 'Oh, this would be great in this script.' Your antenna's out in a different way, and I love that time.
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One man's uplift is another man's sentimental hooey.
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