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In writing scripts now, having made a film, I'm much more conscious of what it means to shoot and edit a movie, and that affects the writing.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Conscious
Movie
Means
Film
Edit
Mean
Edits
Writing
Affects
Much
Shoot
Made
Scripts

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There's something touching about a kid who's reading a book that's printed on actual paper. I think that anything that kids start reading, within reason, can lead to other discoveries.
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Even though I occasionally appear on it, I don't watch television.
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And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
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You know, I’m not saying, “Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.” I look at it more like: does this role has a kind of urgency for me in terms of, “can I not say no to it for whatever reason?”
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It never made sense to me that someone would achieve any kind of success in show business, only to become a jerk.
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No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
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Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
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I have really good female friends. I've never bought the whole men-and-women-can't-be-friends thing. I think that's sort of nonsense.
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My trick is the trick that everyone knows: Work really hard and prepare.
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I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies.
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I really like to travel when I write. Something about seeing new things and being in new cultures and environments provokes new thoughts in your head.
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Time off from the news is always something I welcome.
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It's really hard to be poor in New York - I was really poor when I lived in New York.
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I learned to choose my battles. Sometimes I let my producer deal with something that I didn't want to deal with.
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It's not our job to play judge and jury, to determine who is worthy of our kindness and who is not. We just need to be kind, unconditionally and without ulterior motive, even - or rather, especially - when we'd prefer not to be.
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Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
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Everyone has expectations. You just don't want to have them dashed, so you're quiet about them.
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I learned a lesson which I didn't heed: Don't put yourself in your movies. It's too much.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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I'll say this, and this has nothing to do with gender or sexuality: You do not want to get licked in the face repeatedly by another human being. You just don't. It's not pleasant.
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