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In writing scripts now, having made a film, I'm much more conscious of what it means to shoot and edit a movie, and that affects the writing.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Affects
Writing
Shoot
Much
Scripts
Made
Conscious
Movie
Means
Edit
Film
Edits
Mean

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Acting on stage is still my favorite thing to do. And everyone who's been in musicals knows that there is nothing more fun.
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There's something melancholy about professors because they're chronically abandoned. They form these lovely relationships with students and then the students leave and the professors stay the same. It's like they're chronically abandoned.
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I'm not a masochistic reader. If something is just too dense or not enjoyable, even though I'm told it should be good for me, I'll put it down. That said, most of what I read would be considered high-end or good for you, I suppose. But, I also think that reading should be enjoyable.
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I went through this very serious Woody Allen phase in college and a little bit after college. I still see his movies.
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There's that great Bill Hicks line - the comedian - where he says, Are you proud to be an American? I don't know. It's just where my parents had sex.
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My trick is the trick that everyone knows: Work really hard and prepare.
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If I’m feeling something, I have a lot of different ways to express it, you know? I can write an article about it. I can write a screenplay about it. I can act in someone’s thing.
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As a person, I'm anti-violence.
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I learned to choose my battles. Sometimes I let my producer deal with something that I didn't want to deal with.
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I'll say this, and this has nothing to do with gender or sexuality: You do not want to get licked in the face repeatedly by another human being. You just don't. It's not pleasant.
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Each film is difficult, in its own particular way. There's a unique set of challenges on every movie.
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When I go to movies and I love the movie, it's because it feels like it articulated something about how we're living now, and also gives me some insight into my own life. I feel actually altered after having seen it.
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Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
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One man's uplift is another man's sentimental hooey.
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And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
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Time off from the news is always something I welcome.
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It's really hard to be poor in New York - I was really poor when I lived in New York.
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The attitude of the director is really important, in terms of setting tone.
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When I write a film, there's a particular thing I am wrestling with and the question or concern I'm dealing with has to be big enough for me to dedicate a year or two of my life. If the question isn't big enough, or rich enough, I'll lose interest.
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I have really good female friends. I've never bought the whole men-and-women-can't-be-friends thing. I think that's sort of nonsense.
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