Quote

I'll say this, and this has nothing to do with gender or sexuality: You do not want to get licked in the face repeatedly by another human being. You just don't. It's not pleasant.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Nothing
Sexuality
Gender
Pleasant
Face
Faces
Another
Human
Licked
Humans
Repeatedly

More quotes by Josh Radnor

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An obsessive attention to the news, I've realized, only serves to paint a picture of the world as a throbbing blob of dysfunction, most news falling somewhere on a scale from disappointing to calamitous.
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In college, you're kind of designing who you want to be. And I wanted to be a big reader.
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I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.
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Time off from the news is always something I welcome.
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Kindness is not about instant gratification. More often, it's akin to a low-risk investment that appreciates steadily over time.
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I kicked college nostalgia in my late 20s. As much as I loved college and treasure the memories, I no longer want to go back.
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You know, I’m not saying, “Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.” I look at it more like: does this role has a kind of urgency for me in terms of, “can I not say no to it for whatever reason?”
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One man's uplift is another man's sentimental hooey.
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I don’t think evil people or negative people are inherently interesting all the time. People who are good people getting better at being themselves - to me, that’s something that’s really interesting to watch.
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The attitude of the director is really important, in terms of setting tone.
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We're like a gardener with a hose and our attention is water - we can water flowers or we can water weeds.
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My trick is the trick that everyone knows: Work really hard and prepare.
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When I write a film, there's a particular thing I am wrestling with and the question or concern I'm dealing with has to be big enough for me to dedicate a year or two of my life. If the question isn't big enough, or rich enough, I'll lose interest.
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I sometimes don't know what I'm writing when I start writing it, on some level.
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And as a filmmaker, I'm trying to unhook myself from this idea that unless you have a brilliant, long, enormously lucrative theatrical run, that your movie somehow failed. And I don't believe that.
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I find myself going out less and less. When you're 22 and see older people start to do that, it's depressing, but once you hit 30, you think, 'Wow, I've been working all week - it might be really nice to stay in!
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I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies.
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There's something melancholy about professors because they're chronically abandoned. They form these lovely relationships with students and then the students leave and the professors stay the same. It's like they're chronically abandoned.
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I really like to travel when I write. Something about seeing new things and being in new cultures and environments provokes new thoughts in your head.
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One thing I'm most proud of, in my movies, is that I think the performances are super-strong, but that's not all me. I think part of it is casting appropriately.
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