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I think the word 'earnest' kind of has a negative connotation on some level. I think one of the things that's happened is that being cynical is somehow conflated with being sophisticated. I think that's problematic, to say the least.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
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More quotes by Josh Radnor

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In writing scripts now, having made a film, I'm much more conscious of what it means to shoot and edit a movie, and that affects the writing.
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A lot of times, we're just sold these movies that are really cynically conceived and marketed, and they just want you there opening weekend, before everybody finds out it's not so good.
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You know, I’m not saying, “Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.” I look at it more like: does this role has a kind of urgency for me in terms of, “can I not say no to it for whatever reason?”
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I sometimes don't know what I'm writing when I start writing it, on some level.
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As a person, I'm anti-violence.
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Each film is difficult, in its own particular way. There's a unique set of challenges on every movie.
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I kicked college nostalgia in my late 20s. As much as I loved college and treasure the memories, I no longer want to go back.
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It's really hard to be poor in New York - I was really poor when I lived in New York.
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I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.
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There's something melancholy about professors because they're chronically abandoned. They form these lovely relationships with students and then the students leave and the professors stay the same. It's like they're chronically abandoned.
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I find myself going out less and less. When you're 22 and see older people start to do that, it's depressing, but once you hit 30, you think, 'Wow, I've been working all week - it might be really nice to stay in!
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Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
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Even though I occasionally appear on it, I don't watch television.
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In college, you're kind of designing who you want to be. And I wanted to be a big reader.
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To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
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There's that great Bill Hicks line - the comedian - where he says, Are you proud to be an American? I don't know. It's just where my parents had sex.
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I really like to travel when I write. Something about seeing new things and being in new cultures and environments provokes new thoughts in your head.
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I'm not a masochistic reader. If something is just too dense or not enjoyable, even though I'm told it should be good for me, I'll put it down. That said, most of what I read would be considered high-end or good for you, I suppose. But, I also think that reading should be enjoyable.
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And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
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No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
Josh Radnor