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And as a filmmaker, I'm trying to unhook myself from this idea that unless you have a brilliant, long, enormously lucrative theatrical run, that your movie somehow failed. And I don't believe that.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Believe
Brilliant
Unless
Unhook
Movie
Lucrative
Idea
Enormously
Running
Theatrical
Ideas
Filmmaker
Trying
Failed
Long
Somehow

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Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
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Everyone has expectations. You just don't want to have them dashed, so you're quiet about them.
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An obsessive attention to the news, I've realized, only serves to paint a picture of the world as a throbbing blob of dysfunction, most news falling somewhere on a scale from disappointing to calamitous.
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I went through this very serious Woody Allen phase in college and a little bit after college. I still see his movies.
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I'll say this, and this has nothing to do with gender or sexuality: You do not want to get licked in the face repeatedly by another human being. You just don't. It's not pleasant.
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But, yeah, I'm really happy when I'm writing. When I'm being creative and when I have something that I can put down. You know, if you go out and you overhear a conversation or you have a thought, you have a receptacle to go home and say, 'Oh, this would be great in this script.' Your antenna's out in a different way, and I love that time.
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And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
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When I write a film, there's a particular thing I am wrestling with and the question or concern I'm dealing with has to be big enough for me to dedicate a year or two of my life. If the question isn't big enough, or rich enough, I'll lose interest.
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I kicked college nostalgia in my late 20s. As much as I loved college and treasure the memories, I no longer want to go back.
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You know, I’m not saying, “Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.” I look at it more like: does this role has a kind of urgency for me in terms of, “can I not say no to it for whatever reason?”
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When I go to movies and I love the movie, it's because it feels like it articulated something about how we're living now, and also gives me some insight into my own life. I feel actually altered after having seen it.
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My whole thing is that I want to explore why you read books, what's the purpose of reading, and maybe that it's not that cool to hate something just because it's popular.
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Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
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It never made sense to me that someone would achieve any kind of success in show business, only to become a jerk.
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I really like to travel when I write. Something about seeing new things and being in new cultures and environments provokes new thoughts in your head.
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It's really hard to be poor in New York - I was really poor when I lived in New York.
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If I’m feeling something, I have a lot of different ways to express it, you know? I can write an article about it. I can write a screenplay about it. I can act in someone’s thing.
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Time off from the news is always something I welcome.
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No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
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I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.
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