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And as a filmmaker, I'm trying to unhook myself from this idea that unless you have a brilliant, long, enormously lucrative theatrical run, that your movie somehow failed. And I don't believe that.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Idea
Enormously
Running
Theatrical
Ideas
Filmmaker
Trying
Failed
Long
Somehow
Believe
Brilliant
Unless
Unhook
Movie
Lucrative

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I learned to choose my battles. Sometimes I let my producer deal with something that I didn't want to deal with.
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And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
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I don’t think evil people or negative people are inherently interesting all the time. People who are good people getting better at being themselves - to me, that’s something that’s really interesting to watch.
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Each film is difficult, in its own particular way. There's a unique set of challenges on every movie.
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I distinguish sentiment from sentimentality. Sentimentality makes your skin crawl. It's like too much sugar. But, sentiment is a great feeling.
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There's something touching about a kid who's reading a book that's printed on actual paper. I think that anything that kids start reading, within reason, can lead to other discoveries.
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One thing I'm most proud of, in my movies, is that I think the performances are super-strong, but that's not all me. I think part of it is casting appropriately.
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Well, I stopped drinking. That was actually a big deal. I didn't go through any harrowing rock-bottom experience. I just made a decision to stop drinking.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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I think the word 'earnest' kind of has a negative connotation on some level. I think one of the things that's happened is that being cynical is somehow conflated with being sophisticated. I think that's problematic, to say the least.
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One man's uplift is another man's sentimental hooey.
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Everyone has expectations. You just don't want to have them dashed, so you're quiet about them.
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Talk about what you love and keep quiet about what you don't.
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Acting on stage is still my favorite thing to do. And everyone who's been in musicals knows that there is nothing more fun.
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I sometimes don't know what I'm writing when I start writing it, on some level.
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I'm not a masochistic reader. If something is just too dense or not enjoyable, even though I'm told it should be good for me, I'll put it down. That said, most of what I read would be considered high-end or good for you, I suppose. But, I also think that reading should be enjoyable.
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To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
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I find myself going out less and less. When you're 22 and see older people start to do that, it's depressing, but once you hit 30, you think, 'Wow, I've been working all week - it might be really nice to stay in!
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As a person, I'm anti-violence.
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My whole thing is that I want to explore why you read books, what's the purpose of reading, and maybe that it's not that cool to hate something just because it's popular.
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