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Well, I stopped drinking. That was actually a big deal. I didn't go through any harrowing rock-bottom experience. I just made a decision to stop drinking.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Well
Deals
Made
Stop
Harrowing
Decision
Stopped
Actually
Drinking
Bigs
Bottom
Experience
Rock
Didn
Rocks
Wells
Deal

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I don’t think evil people or negative people are inherently interesting all the time. People who are good people getting better at being themselves - to me, that’s something that’s really interesting to watch.
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It really shocks me when I encounter people who think kindness doesn't matter. Because I think it's pretty much the only thing that matters.
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You know, I’m not saying, “Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.” I look at it more like: does this role has a kind of urgency for me in terms of, “can I not say no to it for whatever reason?”
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And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
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No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
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A movie can and should have some real dissonance throughout - rage, heartache, tears, conflict, catharsis and all the other elements Aristotle demanded of a good story - but the chord has to be resolved.
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In college, you're kind of designing who you want to be. And I wanted to be a big reader.
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I have really good female friends. I've never bought the whole men-and-women-can't-be-friends thing. I think that's sort of nonsense.
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My whole thing is that I want to explore why you read books, what's the purpose of reading, and maybe that it's not that cool to hate something just because it's popular.
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Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
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If I’m feeling something, I have a lot of different ways to express it, you know? I can write an article about it. I can write a screenplay about it. I can act in someone’s thing.
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My trick is the trick that everyone knows: Work really hard and prepare.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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I find myself going out less and less. When you're 22 and see older people start to do that, it's depressing, but once you hit 30, you think, 'Wow, I've been working all week - it might be really nice to stay in!
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I really like to travel when I write. Something about seeing new things and being in new cultures and environments provokes new thoughts in your head.
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And as a filmmaker, I'm trying to unhook myself from this idea that unless you have a brilliant, long, enormously lucrative theatrical run, that your movie somehow failed. And I don't believe that.
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There's something melancholy about professors because they're chronically abandoned. They form these lovely relationships with students and then the students leave and the professors stay the same. It's like they're chronically abandoned.
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Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
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One man's uplift is another man's sentimental hooey.
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I went through this very serious Woody Allen phase in college and a little bit after college. I still see his movies.
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