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No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Story
Shred
Hope
Storyteller
Stories
Leave
May
Least
Matter
Responsibility
Feel
Audience
Feels
Things
Dark

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I kicked college nostalgia in my late 20s. As much as I loved college and treasure the memories, I no longer want to go back.
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But, yeah, I'm really happy when I'm writing. When I'm being creative and when I have something that I can put down. You know, if you go out and you overhear a conversation or you have a thought, you have a receptacle to go home and say, 'Oh, this would be great in this script.' Your antenna's out in a different way, and I love that time.
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I'm not a masochistic reader. If something is just too dense or not enjoyable, even though I'm told it should be good for me, I'll put it down. That said, most of what I read would be considered high-end or good for you, I suppose. But, I also think that reading should be enjoyable.
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In writing scripts now, having made a film, I'm much more conscious of what it means to shoot and edit a movie, and that affects the writing.
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I think the word 'earnest' kind of has a negative connotation on some level. I think one of the things that's happened is that being cynical is somehow conflated with being sophisticated. I think that's problematic, to say the least.
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I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies.
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There's something melancholy about professors because they're chronically abandoned. They form these lovely relationships with students and then the students leave and the professors stay the same. It's like they're chronically abandoned.
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One thing I'm most proud of, in my movies, is that I think the performances are super-strong, but that's not all me. I think part of it is casting appropriately.
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We are so vocal about what we hate.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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We're like a gardener with a hose and our attention is water - we can water flowers or we can water weeds.
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My trick is the trick that everyone knows: Work really hard and prepare.
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I learned to choose my battles. Sometimes I let my producer deal with something that I didn't want to deal with.
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Kindness is not about instant gratification. More often, it's akin to a low-risk investment that appreciates steadily over time.
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And as a filmmaker, I'm trying to unhook myself from this idea that unless you have a brilliant, long, enormously lucrative theatrical run, that your movie somehow failed. And I don't believe that.
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I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.
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A movie can and should have some real dissonance throughout - rage, heartache, tears, conflict, catharsis and all the other elements Aristotle demanded of a good story - but the chord has to be resolved.
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Each film is difficult, in its own particular way. There's a unique set of challenges on every movie.
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And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
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