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I kicked college nostalgia in my late 20s. As much as I loved college and treasure the memories, I no longer want to go back.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Much
Nostalgia
Treasure
Late
College
Longer
Memories
Loved
Back
Kicked

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If I’m feeling something, I have a lot of different ways to express it, you know? I can write an article about it. I can write a screenplay about it. I can act in someone’s thing.
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An obsessive attention to the news, I've realized, only serves to paint a picture of the world as a throbbing blob of dysfunction, most news falling somewhere on a scale from disappointing to calamitous.
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One thing I'm most proud of, in my movies, is that I think the performances are super-strong, but that's not all me. I think part of it is casting appropriately.
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I find myself going out less and less. When you're 22 and see older people start to do that, it's depressing, but once you hit 30, you think, 'Wow, I've been working all week - it might be really nice to stay in!
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A lot of times, we're just sold these movies that are really cynically conceived and marketed, and they just want you there opening weekend, before everybody finds out it's not so good.
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I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies.
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It really shocks me when I encounter people who think kindness doesn't matter. Because I think it's pretty much the only thing that matters.
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We are so vocal about what we hate.
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Well, I stopped drinking. That was actually a big deal. I didn't go through any harrowing rock-bottom experience. I just made a decision to stop drinking.
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Time off from the news is always something I welcome.
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I think the word 'earnest' kind of has a negative connotation on some level. I think one of the things that's happened is that being cynical is somehow conflated with being sophisticated. I think that's problematic, to say the least.
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To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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My trick is the trick that everyone knows: Work really hard and prepare.
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No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
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When I write a film, there's a particular thing I am wrestling with and the question or concern I'm dealing with has to be big enough for me to dedicate a year or two of my life. If the question isn't big enough, or rich enough, I'll lose interest.
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There's something melancholy about professors because they're chronically abandoned. They form these lovely relationships with students and then the students leave and the professors stay the same. It's like they're chronically abandoned.
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The attitude of the director is really important, in terms of setting tone.
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Each film is difficult, in its own particular way. There's a unique set of challenges on every movie.
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I distinguish sentiment from sentimentality. Sentimentality makes your skin crawl. It's like too much sugar. But, sentiment is a great feeling.
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