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I have really good female friends. I've never bought the whole men-and-women-can't-be-friends thing. I think that's sort of nonsense.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Thing
Really
Bought
Good
Nonsense
Never
Female
Men
Sort
Think
Friends
Thinking
Women
Whole

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My trick is the trick that everyone knows: Work really hard and prepare.
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I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.
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Everyone has expectations. You just don't want to have them dashed, so you're quiet about them.
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I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies.
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I kicked college nostalgia in my late 20s. As much as I loved college and treasure the memories, I no longer want to go back.
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Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
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An obsessive attention to the news, I've realized, only serves to paint a picture of the world as a throbbing blob of dysfunction, most news falling somewhere on a scale from disappointing to calamitous.
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You know, I’m not saying, “Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.” I look at it more like: does this role has a kind of urgency for me in terms of, “can I not say no to it for whatever reason?”
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I learned a lesson which I didn't heed: Don't put yourself in your movies. It's too much.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
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When I go to movies and I love the movie, it's because it feels like it articulated something about how we're living now, and also gives me some insight into my own life. I feel actually altered after having seen it.
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It's not our job to play judge and jury, to determine who is worthy of our kindness and who is not. We just need to be kind, unconditionally and without ulterior motive, even - or rather, especially - when we'd prefer not to be.
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One man's uplift is another man's sentimental hooey.
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In writing scripts now, having made a film, I'm much more conscious of what it means to shoot and edit a movie, and that affects the writing.
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To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
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A lot of times, we're just sold these movies that are really cynically conceived and marketed, and they just want you there opening weekend, before everybody finds out it's not so good.
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We're like a gardener with a hose and our attention is water - we can water flowers or we can water weeds.
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It never made sense to me that someone would achieve any kind of success in show business, only to become a jerk.
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I don’t think evil people or negative people are inherently interesting all the time. People who are good people getting better at being themselves - to me, that’s something that’s really interesting to watch.
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