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A movie can and should have some real dissonance throughout - rage, heartache, tears, conflict, catharsis and all the other elements Aristotle demanded of a good story - but the chord has to be resolved.
Josh Radnor
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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Elements
Aristotle
Tears
Heartache
Movie
Demanded
Story
Resolved
Stories
Chords
Real
Rage
Dissonance
Good
Throughout
Catharsis
Conflict
Chord
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I distinguish sentiment from sentimentality. Sentimentality makes your skin crawl. It's like too much sugar. But, sentiment is a great feeling.
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It never made sense to me that someone would achieve any kind of success in show business, only to become a jerk.
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Well, I stopped drinking. That was actually a big deal. I didn't go through any harrowing rock-bottom experience. I just made a decision to stop drinking.
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I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies.
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In writing scripts now, having made a film, I'm much more conscious of what it means to shoot and edit a movie, and that affects the writing.
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I sometimes don't know what I'm writing when I start writing it, on some level.
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Acting on stage is still my favorite thing to do. And everyone who's been in musicals knows that there is nothing more fun.
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It's not our job to play judge and jury, to determine who is worthy of our kindness and who is not. We just need to be kind, unconditionally and without ulterior motive, even - or rather, especially - when we'd prefer not to be.
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We're like a gardener with a hose and our attention is water - we can water flowers or we can water weeds.
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I went through this very serious Woody Allen phase in college and a little bit after college. I still see his movies.
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Kindness is not about instant gratification. More often, it's akin to a low-risk investment that appreciates steadily over time.
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I don’t think evil people or negative people are inherently interesting all the time. People who are good people getting better at being themselves - to me, that’s something that’s really interesting to watch.
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Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
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I find myself going out less and less. When you're 22 and see older people start to do that, it's depressing, but once you hit 30, you think, 'Wow, I've been working all week - it might be really nice to stay in!
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Talk about what you love and keep quiet about what you don't.
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As a person, I'm anti-violence.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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The attitude of the director is really important, in terms of setting tone.
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It's really hard to be poor in New York - I was really poor when I lived in New York.
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I learned to choose my battles. Sometimes I let my producer deal with something that I didn't want to deal with.
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