Quote

A movie can and should have some real dissonance throughout - rage, heartache, tears, conflict, catharsis and all the other elements Aristotle demanded of a good story - but the chord has to be resolved.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Story
Resolved
Stories
Chords
Real
Rage
Dissonance
Good
Throughout
Catharsis
Conflict
Chord
Elements
Aristotle
Tears
Heartache
Movie
Demanded

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If I’m feeling something, I have a lot of different ways to express it, you know? I can write an article about it. I can write a screenplay about it. I can act in someone’s thing.
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It never made sense to me that someone would achieve any kind of success in show business, only to become a jerk.
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We are so vocal about what we hate.
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No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
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I learned to choose my battles. Sometimes I let my producer deal with something that I didn't want to deal with.
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One man's uplift is another man's sentimental hooey.
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As a person, I'm anti-violence.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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I distinguish sentiment from sentimentality. Sentimentality makes your skin crawl. It's like too much sugar. But, sentiment is a great feeling.
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There's something melancholy about professors because they're chronically abandoned. They form these lovely relationships with students and then the students leave and the professors stay the same. It's like they're chronically abandoned.
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I kicked college nostalgia in my late 20s. As much as I loved college and treasure the memories, I no longer want to go back.
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When I write a film, there's a particular thing I am wrestling with and the question or concern I'm dealing with has to be big enough for me to dedicate a year or two of my life. If the question isn't big enough, or rich enough, I'll lose interest.
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It's really hard to be poor in New York - I was really poor when I lived in New York.
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Each film is difficult, in its own particular way. There's a unique set of challenges on every movie.
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I have really good female friends. I've never bought the whole men-and-women-can't-be-friends thing. I think that's sort of nonsense.
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Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
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An obsessive attention to the news, I've realized, only serves to paint a picture of the world as a throbbing blob of dysfunction, most news falling somewhere on a scale from disappointing to calamitous.
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You know, I’m not saying, “Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.” I look at it more like: does this role has a kind of urgency for me in terms of, “can I not say no to it for whatever reason?”
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When I go to movies and I love the movie, it's because it feels like it articulated something about how we're living now, and also gives me some insight into my own life. I feel actually altered after having seen it.
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I learned a lesson which I didn't heed: Don't put yourself in your movies. It's too much.
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