Quote

A movie can and should have some real dissonance throughout - rage, heartache, tears, conflict, catharsis and all the other elements Aristotle demanded of a good story - but the chord has to be resolved.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Good
Throughout
Catharsis
Conflict
Chord
Elements
Aristotle
Tears
Heartache
Movie
Demanded
Story
Resolved
Stories
Chords
Real
Rage
Dissonance

More quotes by Josh Radnor

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No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
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I find myself going out less and less. When you're 22 and see older people start to do that, it's depressing, but once you hit 30, you think, 'Wow, I've been working all week - it might be really nice to stay in!
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It really shocks me when I encounter people who think kindness doesn't matter. Because I think it's pretty much the only thing that matters.
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I really like to travel when I write. Something about seeing new things and being in new cultures and environments provokes new thoughts in your head.
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But, yeah, I'm really happy when I'm writing. When I'm being creative and when I have something that I can put down. You know, if you go out and you overhear a conversation or you have a thought, you have a receptacle to go home and say, 'Oh, this would be great in this script.' Your antenna's out in a different way, and I love that time.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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And as a filmmaker, I'm trying to unhook myself from this idea that unless you have a brilliant, long, enormously lucrative theatrical run, that your movie somehow failed. And I don't believe that.
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I sometimes don't know what I'm writing when I start writing it, on some level.
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Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
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My trick is the trick that everyone knows: Work really hard and prepare.
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To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
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One man's uplift is another man's sentimental hooey.
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I have really good female friends. I've never bought the whole men-and-women-can't-be-friends thing. I think that's sort of nonsense.
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A lot of times, we're just sold these movies that are really cynically conceived and marketed, and they just want you there opening weekend, before everybody finds out it's not so good.
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Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
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And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
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Each film is difficult, in its own particular way. There's a unique set of challenges on every movie.
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It's not our job to play judge and jury, to determine who is worthy of our kindness and who is not. We just need to be kind, unconditionally and without ulterior motive, even - or rather, especially - when we'd prefer not to be.
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In college, you're kind of designing who you want to be. And I wanted to be a big reader.
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Well, I stopped drinking. That was actually a big deal. I didn't go through any harrowing rock-bottom experience. I just made a decision to stop drinking.
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