Quote

Kindness is not about instant gratification. More often, it's akin to a low-risk investment that appreciates steadily over time.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Lows
Kindness
Appreciate
Appreciates
Risk
Akin
Often
Steadily
Time
Gratification
Instant
Investment

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I distinguish sentiment from sentimentality. Sentimentality makes your skin crawl. It's like too much sugar. But, sentiment is a great feeling.
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There's something melancholy about professors because they're chronically abandoned. They form these lovely relationships with students and then the students leave and the professors stay the same. It's like they're chronically abandoned.
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The attitude of the director is really important, in terms of setting tone.
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Well, I stopped drinking. That was actually a big deal. I didn't go through any harrowing rock-bottom experience. I just made a decision to stop drinking.
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If I’m feeling something, I have a lot of different ways to express it, you know? I can write an article about it. I can write a screenplay about it. I can act in someone’s thing.
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My whole thing is that I want to explore why you read books, what's the purpose of reading, and maybe that it's not that cool to hate something just because it's popular.
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An obsessive attention to the news, I've realized, only serves to paint a picture of the world as a throbbing blob of dysfunction, most news falling somewhere on a scale from disappointing to calamitous.
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I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies.
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Film allows me to ask some really big questions with the time to explore them deeply. I love the form.
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Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
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We are so vocal about what we hate.
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Everyone has expectations. You just don't want to have them dashed, so you're quiet about them.
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When I write a film, there's a particular thing I am wrestling with and the question or concern I'm dealing with has to be big enough for me to dedicate a year or two of my life. If the question isn't big enough, or rich enough, I'll lose interest.
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Talk about what you love and keep quiet about what you don't.
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There's something touching about a kid who's reading a book that's printed on actual paper. I think that anything that kids start reading, within reason, can lead to other discoveries.
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I sometimes don't know what I'm writing when I start writing it, on some level.
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A lot of times, we're just sold these movies that are really cynically conceived and marketed, and they just want you there opening weekend, before everybody finds out it's not so good.
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No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
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