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I distinguish sentiment from sentimentality. Sentimentality makes your skin crawl. It's like too much sugar. But, sentiment is a great feeling.

Josh Radnor

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Josh Radnor
Age: 50
Born: 1974
Born: July 29
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Columbus
Ohio
Joshua Thomas Radnor
Skin
Skins
Feeling
Crawl
Feelings
Sentimentality
Makes
Sentiment
Great
Distinguish
Much
Sentiments
Like
Sugar

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Talk about what you love and keep quiet about what you don't.
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My trick is the trick that everyone knows: Work really hard and prepare.
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We are so vocal about what we hate.
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Acting on stage is still my favorite thing to do. And everyone who's been in musicals knows that there is nothing more fun.
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In college, you're kind of designing who you want to be. And I wanted to be a big reader.
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I learned a lesson which I didn't heed: Don't put yourself in your movies. It's too much.
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To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
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A lot of times, we're just sold these movies that are really cynically conceived and marketed, and they just want you there opening weekend, before everybody finds out it's not so good.
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No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
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Even though I occasionally appear on it, I don't watch television.
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It's really hard to be poor in New York - I was really poor when I lived in New York.
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I'll say this, and this has nothing to do with gender or sexuality: You do not want to get licked in the face repeatedly by another human being. You just don't. It's not pleasant.
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Each film is difficult, in its own particular way. There's a unique set of challenges on every movie.
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What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
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An obsessive attention to the news, I've realized, only serves to paint a picture of the world as a throbbing blob of dysfunction, most news falling somewhere on a scale from disappointing to calamitous.
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You know, I’m not saying, “Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.” I look at it more like: does this role has a kind of urgency for me in terms of, “can I not say no to it for whatever reason?”
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If I’m feeling something, I have a lot of different ways to express it, you know? I can write an article about it. I can write a screenplay about it. I can act in someone’s thing.
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My whole thing is that I want to explore why you read books, what's the purpose of reading, and maybe that it's not that cool to hate something just because it's popular.
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I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies.
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I sometimes don't know what I'm writing when I start writing it, on some level.
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