Quote

There are a couple of films that I've done, where I've had to get on a horse and wear a pair of tights, so that helped. But, nothing could have prepared me for the fun of wielding magic like Merlin does, especially in the perverted mind of Chris Chibnall.

Joseph Fiennes

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Joseph Fiennes
Age: 54
Born: 1970
Born: January 1
Actor
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Salisbury
England
Joseph Alberic Twisleton-Wykeham-Fiennes
Like
Magic
Pair
Especially
Pairs
Fun
Helped
Film
Wear
Merlin
Doe
Horse
Wielding
Nothing
Prepared
Tights
Done
Films
Perverted
Mind
Couple
Chris

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It takes years to establish yourself, and then you have one big film and everyone calls you an overnight success. You think, 'Christ, I've been sweating and crying for seven years.'.
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When I was offered the part in Shakespeare In Love a voice in my head said 'not another tights role!
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I wanted to say, Hey, Pope Francis, but I cried like a baby. I was reduced to a very humble set of feelings, because it was not about what was said: There's a presence. That was a blessing for myself and my family and everyone there to be a part of that.
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I like the fact that we're stripping the icons away. They're the WikiLeaks for the age that we're revealing, with the transparency of the characters. We're unearthing the truth beyond or underneath the myth. I love that aspect.
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I think all experience is, in some way, shape or form, filtered down to help you, in your present moment. With Shakespeare, you're trying to act with a fairly archaic language, although in certain aspects, it's deeply modern.
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The great thing about films is that you have access to this whole world of experts who teach you the skills your character's supposed to have.
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You know what? Joy is the only guide. I'm going to have fun regardless.
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Maybe we need more dialogue in terms of our faith, in terms of those who are believers, or even nonbelievers, about that aspect, and what that might mean if you were interpreting. You don't have to believe it maybe you could draw a metaphor from it.
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Youth is a predominant factor. We are seeing a young King Arthur, and thereby a young-ish - as I'm into my 40s - Merlin. It was about how to tackle it, from that point view.
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I can only put myself in the process and try to learn through the process. Sometimes it will go well and sometimes it won't.
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Pretty much all films I've seen that depict the life of Christ end with the Crucifixion, almost like the filmmakers don't know what to do after.
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I've always believed that you shouldn't want to mend a broken heart, because that's someone you don't want to forget. Scars can be good.
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Conditioning can be not a big heavy thing. (For instance:) I've got a brand new pair of shoes, by mistake you step on it and you make them muddy and dirty, I'm conditioned to go Hey, what are you doing? That's my conditioning, I have a response. So, maybe we have to learn to find the pause before we react, because reaction is our conditioning.
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I'm a huge admirer of Pope Francis and everything he stands for. I think he's an incredibly connected spiritual and authentic being.
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he challenge is finding the modern conduit for the audience, having fun and really looking at the duality of this particular character, that is both devil and angel, and on the cusp of losing control of the pagan background, to this newfangled religion called Christianity. There's a great backdrop there, and just a whole dark side with the magic.
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From the age of about five to twelve I was very bad, a hideous little terror who beat people up. I was a member of a Rough Gang - we went around and terrorised all the pupils in school.
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I think everything I do is my early work. I can't wait to get on to the later stuff.
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It's all about human condition, ultimately. That's what you're looking at. You're also looking to have some fun, as well, because that also translates. Maybe wearing tights once in awhile helped. Getting up on a horse a couple of times before might have helped.
Joseph Fiennes
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'How do you balance the creative with the biblical?' One could pick up the scripture and read it to oneself and you would be communing directly with that information. As soon as you go into film, as soon as there's a camera, and there's an angle, and there's lighting, and there's editing, you're into the adaptation.
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I've got a vendetta to destroy the Net, to make everyone go to the library. I love the organic thing of pen and paper, ink on canvas. I love going down to the library, the feel and smell of books.
Joseph Fiennes