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Creating fantasy is a very personal thing, but you can't take the process too personally.

Joseph Barbera

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Joseph Barbera
Age: 95 †
Born: 1911
Born: March 24
Died: 2006
Died: December 18
Animator
Bank Teller
Executive Producer
Film Director
Film Producer
Screenwriter
Television Producer
Writer
New York City
New York
Joseph Roland Barbera
Joseph Roland Joe Barbera
Process
Take
Thing
Personally
Fantasy
Creating
Growth
Personal

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That's what keeps me going: dreaming, inventing, then hoping and dreaming some more in order to keep dreaming.
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While I have never been a regular churchgoer, I'm anything but immune to the power and the majesty of the religious experience.
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My biggest kick comes from the individual fans I run into. Middle-aged men ask me when we're going to do more Johnny Quest cartoons.
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There is no law that says a man who earned a hundred million dollars in his first half-dozen years on the job has to be a decent human being, but Mike Eisner is that and more.
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I don't know that I spent any more time alone than any other kid, but being by myself never bothered me.
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I was convinced there as only one actor to play Templeton the Rat, and that was Tony Randall.
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Among the great glories of the MGM lot were the vast outdoor sets that had been constructed over the years.
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Faced with the choice of enduring a bad toothache or going to the dentist, we generally tried to ride out the bad tooth.
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My marriage had been impulsive. That marriage should have been short-lived instead of the 23 years it spanned.
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Parents look at me like I'm somebody pretty important, and say, We were raised on your characters, and now we're enjoying them all over again with our children.
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Publicity gets more than a little tiring. You want it, you need it, you crave it, and you're scared as hell when it stops.
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Los Angeles was an impression of failure, of disappointment, of despair, and of oddly makeshift lives. This is California? I thought.
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I have spent a lot of years on the outside looking in.
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The Christmas parties were orgies of drinking and singing and groping and pawing. Cartoon staffers invested their own money in preparatory liquor.
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One of the most attractive things about writing your autobiography is that you're not dead.
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High-level, big-deal publicity has a way of getting old for me, but what never fails to thrill me is when I make personal appearances.
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In those days, boxing was very glamorous and romantic. You listened to fights on the radio, and a good announcer made it seem like a contest between gladiators.
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What about Mickey Mouse? Disney tried very hard to make him a star. But Mickey Mouse is more of a symbol than a real character.
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Bill Hanna and I owe an awful lot to television, but we both got our start and built the first phase of our partnership in the movies.
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Not once in six years did I make it to the office by 9 on the dot.
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