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How can I make a movie about the violence of the police if the police aren't going to let me film it?

Jose Padilha

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Jose Padilha
Age: 57
Born: 1967
Born: August 1
Director
Film Director
Film Producer
Screenwriter
Television Producer
Rio
Jose Padilha
Going
Make
Police
Aren
Violence
Movie
Film

More quotes by Jose Padilha

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People can't stand it when you deal with issues of race and class, and also sometimes the church, and you give a perspective that flushes out hypocrisy.
Jose Padilha
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You never find yourself involved in a single action story. Your family is always being with you. And you cannot separate whatever is going on in your life with your relationship with your son, with your wife.
Jose Padilha
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A lot of jobs today are being automated what happens when you extend that concept to very important areas of society like law enforcement? What happens if you start controlling the behavior of criminals or people in general with software-running machines? Those questions, they look like they're sci-fi but they're not.
Jose Padilha
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I like some superhero movies, but I have to say that they all feel the same to me. I've seen them a million times. They're all the same movie.
Jose Padilha
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It's all about this abstract entity called the story. It's all about the best way to tell the story, and to make a movie about the issues that this story is about. Filmmaking is storytelling, for me.
Jose Padilha
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Either you look back and deal with your hypocrisy, or you dismiss it.
Jose Padilha
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I have to be clear with myself and very conscious of what I am trying to say. Misunderstandings will always take place it's unavoidable.
Jose Padilha
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RoboCop the first movie was fantastic. But even if there was no movie, the concept of RoboCop is brilliant, first because it lends itself to a lot of social criticism, but also because it poses a question, 'When do you lose your humanity?
Jose Padilha
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It's easy to make a pirate copy when you have digital tapes of things. And it was so complicated and complex to go through all the post-production of a movie without ever going digital.
Jose Padilha
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How do you make RoboCop? How do you slowly bring a guy to be a robot? How do you actually take humanity out of someone and how do you program a brain, so to speak, and how does that affect an individual?
Jose Padilha
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We make violent cops, we make violent criminals, and no wonder we have shootouts in slums all of the time.
Jose Padilha
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You're looking for the best way of shooting it, but sometimes the best way of shooting it is changing the script.
Jose Padilha
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I don't actually like blocking actors. I prefer giving actors freedom. They don't have to step on a precise mark with me. Instead of giving marks to the actors I like to give marks to the camera.
Jose Padilha
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In Rio de Janeiro, every cop has to make a choice. He either turns dirty, keeps his mouth shut, or goes to war.
Jose Padilha
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No wonder we have a lot of violence in Rio: the corrupt and violent policemen meet the violent criminals in the streets. What else is going to happen?
Jose Padilha
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Listen, I like great actors. You can be a movie star without being a great actor - this has been proved several times - and I like my casts to have great actors. Acting is more important to me than being a star.
Jose Padilha
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Pretty soon we'll have robots in our society, you're going to have a lot of automated processes that used to be done by people - this is happening. Society and technology is changing so fast, and the impact of the change on society and technology is global, not local.
Jose Padilha
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A film is a living thing. The screenplay is a guideline. You really need to have a good, sound script to know that you have a dramatic structure that's going to work thematically, and to know how one scene will got through another, and to get a sense of character.
Jose Padilha
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I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.
Jose Padilha