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I would certainly never want to inflict anything on the world exactly as [Buckminster Fuller] envisioned it because there is a technocratic worldview that I find horrific.
Jonathon Keats
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Jonathon Keats
Age: 53
Born: 1971
Born: October 2
Journalist
Novelist
New York City
New York
J. O. N. A. T. H. A. N. Keats
World
Inflict
Horrific
Exactly
Certainly
Anything
Find
Technocratic
Never
Envisioned
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More quotes by Jonathon Keats
I don't know whether what I do is art. But making things out in the world and having as many conversations as possible.
Jonathon Keats
Just enough of that to be able to give the reader a sense of skepticism that all - it seemed like all that was necessary. I don't really care. But what I do care about is what was happening within the realm of automobiles at the time that [Buckminster Fuller] invented his Dymaxion car because that is really relevant.
Jonathon Keats
I call myself an experimental philosopher which is as ambiguous a term as comprehensive anticipatory design scientist.
Jonathon Keats
I don't have a cell phone. I am not a Luddite.
Jonathon Keats
What I think is really interesting is to look at the culture of disruption and of world-changing in terms of what [Buckminster] Fuller was doing and to draw the contrast more than the similarity.
Jonathon Keats
There were other auto manufacturers that were confabulating as much as [Buckminster Fuller] was, making claims about how cars resembled this or that aspect of nature.
Jonathon Keats
I was totally taken in and totally taken by that myth starting in 1999, rather carelessly writing about this archive and starting to read [Buckminster Fuller] self-representation, misrepresentation, whatever you want to call it.
Jonathon Keats
I became really absorbed but again I was at that point - and I still remain today - an outsider who has no interest in becoming an insider, let alone in what that insider perspective on [Buckminster Fuller] has come to be and come to represent.
Jonathon Keats
I would say that what the value of talking about and thinking about a dome over Manhattan is that [Buckminster] Fuller has identified a scale of action I think is actually really compelling.
Jonathon Keats
We are not evolved really very well to be able to understand or to be able to work with and grapple with technologies that we have.
Jonathon Keats
Serendipity looks a lot like creativity, at least at a distance, and if I can tap into these ways in which one thing resembles another.
Jonathon Keats
We clearly recognize the need for something that is what [Buckminster Fuller] represents and therefore it becomes really useful and really interesting to look at the ways in which world changing today totally misses everything that was valuable.
Jonathon Keats
The interesting thing writing about [Buckminster] Fuller is really to attempt to resurrect all of that and to do so for a new generation that has not grown up with him.
Jonathon Keats
I'm not especially interested in the job of the historian or journalist of trying to figure out what was true and what was not.
Jonathon Keats
I think it was impossible not to come upon a lot of confabulation simply because any good scholarship that has been done since [Buckminster Fuller] death has really delved in that.
Jonathon Keats
The city is better because the city has an economy of needs and once you're talking about a city, maybe you can start talking about how you manage the climate of that city as a whole. Not by putting a dome over it but by more passive means that can potentially be put together in creative ways.
Jonathon Keats
That first of all feeds into what I do and secondly, it is emblematic of what I hope to achieve through what I do. That is to say all those conversations that are a result of it are the sorts of conversations that I think are the ultimate, most valuable by-product of what I'm doing.
Jonathon Keats
I think that as a society as well, we need to be smart about what technologies we take up and how construe progress.
Jonathon Keats
It's essential for me to be working on a nonfiction sort of research project simultaneous with multiple projects that are in different realms of art practice or not.
Jonathon Keats
[Buckminster Fuller] started talking about it far enough afterwards, an audience that was far enough from when they - when the air flow and the Zephyr and these cars in the time period that were made by mainstream automakers. It was far enough in the future, far enough after that point that nobody really bothered to fact-check.
Jonathon Keats
