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If only all our conflicts could be resolved with a few grunts and a smack in the ass.

Jonathan Tropper

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Jonathan Tropper
Age: 54
Born: 1970
Born: February 19
Executive Producer
Novelist
Screenwriter
Writer
Riverdale
New York City
Conflict
Grunts
Grunt
Smack
Resolved
Conflicts
Ass

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I want to explain everything to him, show him that it’s really not as screwed up as it all sounds, but then I remember that it is.
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We are all smiling in the picture, three brothers having a grand old time just playing around in the living room, no agendas, no buried resentments or permanent scars. Even under the best of circumstances, there's just something so damn tragic about growing up.
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You never know when it will be the last time you'll see your father, or kiss your wife, or play with your little brother, but there's always a last time. If you could remember every last time, you'd never stop grieving.
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I've never been shot, but this probably what it feels like, that second of nothingness right before the pain catches up to the bullet.
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I loved her for the way she embraced the unknown, how she opened herself up to every experience. When I was with her, she opened me up, too, stirred my passion and heightened my every sensation. Which was great, until she left me and all my heightened senses to deal with the heartache of losing her.
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Sometimes it’s heartbreaking to see your siblings as the people they’ve become. Maybe that’s why we all stay away from each other as a matter of course.
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There are no happy endings, just happy days, happy moments. The only real ending is death, and trust me, no one dies happy. And the price of not dying is that things change all the time, and the only thing you can count on is that there's not a thing you can do about it.
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Phillip is the Paul McCartney of our family: better-looking than the rest of us, always facing a different direction in pictures, and occasionally rumored to be dead.
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I'm really not a fan of voiceovers I think they become a crutch.
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There are some people out there who don't wait for what come next. They decide what should come next and they go and make it happen.
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We're all clichés, all following scripts that have been written and played out long before we landed the role.
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Don't you think if I was able to make some changes, I would have already?
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And even if you didn't fall in love in the eighties, in your mind it will feel like the eighties, all innocent and airbrushed, with bright colors and shoulder pads and Pat Benetar or the Cure on the soundtrack.
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You can sit up here, feeling above it all while knowing you’re not, coming to the lonely conclusion that the only thing you can ever really know about anyone is that you don’t know anything about them at all.
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It would be a terrible mistake to go through life thinking that people are the sum total of what you see.
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It's sort of an organic process when you're adapting any book, not even just your own. You want to preserve the heart of the story and you want to preserve who the characters are, but film requires a lot of compression.
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I’m living in separate universes, and I have no idea where I actually belong.
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At some point, being angry is just another bad habit, like smoking, and you keep poisoning yourself without thinking about it.
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Life, for the most part, inevitably becomes routine, the random confluence of timing and fortune that configures its components all but forgotten. But every so often, I catch a glimpse of my life out of the corner of my eye, and am rendered breathless by it.
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...you realize that you don't understand yourself any better than you understand anyone else.
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