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Fate already warned us to pack it in. We just didn’t hear it in time.

Jonathan Tropper

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Jonathan Tropper
Age: 54
Born: 1970
Born: February 19
Executive Producer
Novelist
Screenwriter
Writer
Riverdale
New York City
Time
Warned
Pack
Packs
Fate
Already
Hear
Didn

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At some point, being angry is just another bad habit, like smoking, and you keep poisoning yourself without thinking about it.
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Life, for the most part, inevitably becomes routine, the random confluence of timing and fortune that configures its components all but forgotten. But every so often, I catch a glimpse of my life out of the corner of my eye, and am rendered breathless by it.
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Sometimes it’s heartbreaking to see your siblings as the people they’ve become. Maybe that’s why we all stay away from each other as a matter of course.
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It's sort of an organic process when you're adapting any book, not even just your own. You want to preserve the heart of the story and you want to preserve who the characters are, but film requires a lot of compression.
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We all start out so damn sure, thinking we've got the world on a string. If we ever stopped to think about the infinite number of ways we could be undone, we'd never leave our bedrooms.
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I've never been shot, but this probably what it feels like, that second of nothingness right before the pain catches up to the bullet.
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Even under the best of circumstances, there's just something so damn tragic about growing up.
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I wake up like this, this sense that I've somehow been transported to an alternate universe where my life took a left instead of a right beacuse of some seeemingly insignificant yet cosmically crucial choice I've made, about a girl or a kiss or a date or a job or which Starbucks I went into...something.
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Everyone always wants to know how you can tell when it's true love, and the answer is this: when the pain doesn't fade and the scars don't heal, and it's too damned late.
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If only all our conflicts could be resolved with a few grunts and a smack in the ass.
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You never know when it will be the last time you'll see your father, or kiss your wife, or play with your little brother, but there's always a last time. If you could remember every last time, you'd never stop grieving.
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We're all clichés, all following scripts that have been written and played out long before we landed the role.
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Silver is forty-four years old, if you can believe it, out of shape, and depressed—although he doesn’t know if you call it depression when you have good reason to be maybe then you’re simply sad, or lonely, or just painfully aware, on a daily basis, of all the things you can never get back.
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I'm really not a fan of voiceovers I think they become a crutch.
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The whole purpose of screenwriting is to convey everything through action and dialogue and not explanation and exposition. To me, there are movies where voiceover works really well because it does something more than exposition it actually becomes a tonal element of the movie.
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Phillip is the Paul McCartney of our family: better-looking than the rest of us, always facing a different direction in pictures, and occasionally rumored to be dead.
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And even if you didn't fall in love in the eighties, in your mind it will feel like the eighties, all innocent and airbrushed, with bright colors and shoulder pads and Pat Benetar or the Cure on the soundtrack.
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Get comfortable with being alone. It will empower you.
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I want to explain everything to him, show him that it’s really not as screwed up as it all sounds, but then I remember that it is.
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You can sit up here, feeling above it all while knowing you’re not, coming to the lonely conclusion that the only thing you can ever really know about anyone is that you don’t know anything about them at all.
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