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Fate already warned us to pack it in. We just didn’t hear it in time.

Jonathan Tropper

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Jonathan Tropper
Age: 54
Born: 1970
Born: February 19
Executive Producer
Novelist
Screenwriter
Writer
Riverdale
New York City
Pack
Packs
Fate
Already
Hear
Didn
Time
Warned

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...you realize that you don't understand yourself any better than you understand anyone else.
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We are all smiling in the picture, three brothers having a grand old time just playing around in the living room, no agendas, no buried resentments or permanent scars. Even under the best of circumstances, there's just something so damn tragic about growing up.
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I’m living in separate universes, and I have no idea where I actually belong.
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Phillip is the Paul McCartney of our family: better-looking than the rest of us, always facing a different direction in pictures, and occasionally rumored to be dead.
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There are some people out there who don't wait for what come next. They decide what should come next and they go and make it happen.
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It's sort of an organic process when you're adapting any book, not even just your own. You want to preserve the heart of the story and you want to preserve who the characters are, but film requires a lot of compression.
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Everyone always wants to know how you can tell when it's true love, and the answer is this: when the pain doesn't fade and the scars don't heal, and it's too damned late.
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We're all clichés, all following scripts that have been written and played out long before we landed the role.
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I wake up like this, this sense that I've somehow been transported to an alternate universe where my life took a left instead of a right beacuse of some seeemingly insignificant yet cosmically crucial choice I've made, about a girl or a kiss or a date or a job or which Starbucks I went into...something.
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There are no happy endings, just happy days, happy moments. The only real ending is death, and trust me, no one dies happy. And the price of not dying is that things change all the time, and the only thing you can count on is that there's not a thing you can do about it.
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Sometimes it’s heartbreaking to see your siblings as the people they’ve become. Maybe that’s why we all stay away from each other as a matter of course.
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Love made us partners in narcissism, and we talked ceaselessly about how close we were, how perfect our connection was, like we were the first people in history to ever get it exactly right.
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As far as rapprochements go, it's awkward and vague, but the advantage of being as emotionally inarticulate as we are is that it will do the trick.
Jonathan Tropper
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Silver is forty-four years old, if you can believe it, out of shape, and depressed—although he doesn’t know if you call it depression when you have good reason to be maybe then you’re simply sad, or lonely, or just painfully aware, on a daily basis, of all the things you can never get back.
Jonathan Tropper
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I'm really not a fan of voiceovers I think they become a crutch.
Jonathan Tropper
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I blame Hollywood for skewing perspectives. Life is just a big romantic comedy to them, and if you meet cute, happily ever-after is a forgone conclusion.
Jonathan Tropper
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I loved her for the way she embraced the unknown, how she opened herself up to every experience. When I was with her, she opened me up, too, stirred my passion and heightened my every sensation. Which was great, until she left me and all my heightened senses to deal with the heartache of losing her.
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And even if you didn't fall in love in the eighties, in your mind it will feel like the eighties, all innocent and airbrushed, with bright colors and shoulder pads and Pat Benetar or the Cure on the soundtrack.
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You have to look at what you have right in front of you, at what it could be, and stop measuring it against what you've lost. I know this to be wise and true, just as I know that pretty much no one can do it.
Jonathan Tropper
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We all start out so damn sure, thinking we've got the world on a string. If we ever stopped to think about the infinite number of ways we could be undone, we'd never leave our bedrooms.
Jonathan Tropper