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At some point, being angry is just another bad habit, like smoking, and you keep poisoning yourself without thinking about it.

Jonathan Tropper

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Jonathan Tropper
Age: 54
Born: 1970
Born: February 19
Executive Producer
Novelist
Screenwriter
Writer
Riverdale
New York City
Point
Keep
Another
Without
Thinking
Poisoning
Like
Smoking
Angry
Habit

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Silver is forty-four years old, if you can believe it, out of shape, and depressed—although he doesn’t know if you call it depression when you have good reason to be maybe then you’re simply sad, or lonely, or just painfully aware, on a daily basis, of all the things you can never get back.
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Phillip is the Paul McCartney of our family: better-looking than the rest of us, always facing a different direction in pictures, and occasionally rumored to be dead.
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You can sit up here, feeling above it all while knowing you’re not, coming to the lonely conclusion that the only thing you can ever really know about anyone is that you don’t know anything about them at all.
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...you realize that you don't understand yourself any better than you understand anyone else.
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Fate already warned us to pack it in. We just didn’t hear it in time.
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You never know when it will be the last time you'll see your father, or kiss your wife, or play with your little brother, but there's always a last time. If you could remember every last time, you'd never stop grieving.
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I wake up like this, this sense that I've somehow been transported to an alternate universe where my life took a left instead of a right beacuse of some seeemingly insignificant yet cosmically crucial choice I've made, about a girl or a kiss or a date or a job or which Starbucks I went into...something.
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I’m living in separate universes, and I have no idea where I actually belong.
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Love made us partners in narcissism, and we talked ceaselessly about how close we were, how perfect our connection was, like we were the first people in history to ever get it exactly right.
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Get comfortable with being alone. It will empower you.
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Even under the best of circumstances, there's just something so damn tragic about growing up.
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We are all smiling in the picture, three brothers having a grand old time just playing around in the living room, no agendas, no buried resentments or permanent scars. Even under the best of circumstances, there's just something so damn tragic about growing up.
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I loved her for the way she embraced the unknown, how she opened herself up to every experience. When I was with her, she opened me up, too, stirred my passion and heightened my every sensation. Which was great, until she left me and all my heightened senses to deal with the heartache of losing her.
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Don't you think if I was able to make some changes, I would have already?
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I've never been shot, but this probably what it feels like, that second of nothingness right before the pain catches up to the bullet.
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Pity, I've learned, is like a fart. You can tolerate your own, but you simply can't stand anyone else's.
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If only all our conflicts could be resolved with a few grunts and a smack in the ass.
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It's sort of an organic process when you're adapting any book, not even just your own. You want to preserve the heart of the story and you want to preserve who the characters are, but film requires a lot of compression.
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The whole purpose of screenwriting is to convey everything through action and dialogue and not explanation and exposition. To me, there are movies where voiceover works really well because it does something more than exposition it actually becomes a tonal element of the movie.
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And even if you didn't fall in love in the eighties, in your mind it will feel like the eighties, all innocent and airbrushed, with bright colors and shoulder pads and Pat Benetar or the Cure on the soundtrack.
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