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As far as rapprochements go, it's awkward and vague, but the advantage of being as emotionally inarticulate as we are is that it will do the trick.

Jonathan Tropper

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Jonathan Tropper
Age: 54
Born: 1970
Born: February 19
Executive Producer
Novelist
Screenwriter
Writer
Riverdale
New York City
Trick
Awkward
Tricks
Advantage
Inarticulate
Emotionally
Vague

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I blame Hollywood for skewing perspectives. Life is just a big romantic comedy to them, and if you meet cute, happily ever-after is a forgone conclusion.
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Life, for the most part, inevitably becomes routine, the random confluence of timing and fortune that configures its components all but forgotten. But every so often, I catch a glimpse of my life out of the corner of my eye, and am rendered breathless by it.
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I’m living in separate universes, and I have no idea where I actually belong.
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The future just isn't what it used to be
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Get comfortable with being alone. It will empower you.
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Love made us partners in narcissism, and we talked ceaselessly about how close we were, how perfect our connection was, like we were the first people in history to ever get it exactly right.
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Don't you think if I was able to make some changes, I would have already?
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We're all clichés, all following scripts that have been written and played out long before we landed the role.
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I'm really not a fan of voiceovers I think they become a crutch.
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Silver is forty-four years old, if you can believe it, out of shape, and depressed—although he doesn’t know if you call it depression when you have good reason to be maybe then you’re simply sad, or lonely, or just painfully aware, on a daily basis, of all the things you can never get back.
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Fate already warned us to pack it in. We just didn’t hear it in time.
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I loved her for the way she embraced the unknown, how she opened herself up to every experience. When I was with her, she opened me up, too, stirred my passion and heightened my every sensation. Which was great, until she left me and all my heightened senses to deal with the heartache of losing her.
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There are some people out there who don't wait for what come next. They decide what should come next and they go and make it happen.
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Pity, I've learned, is like a fart. You can tolerate your own, but you simply can't stand anyone else's.
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And even if you didn't fall in love in the eighties, in your mind it will feel like the eighties, all innocent and airbrushed, with bright colors and shoulder pads and Pat Benetar or the Cure on the soundtrack.
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The whole purpose of screenwriting is to convey everything through action and dialogue and not explanation and exposition. To me, there are movies where voiceover works really well because it does something more than exposition it actually becomes a tonal element of the movie.
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Everyone always wants to know how you can tell when it's true love, and the answer is this: when the pain doesn't fade and the scars don't heal, and it's too damned late.
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I want to explain everything to him, show him that it’s really not as screwed up as it all sounds, but then I remember that it is.
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Phillip is the Paul McCartney of our family: better-looking than the rest of us, always facing a different direction in pictures, and occasionally rumored to be dead.
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At some point, being angry is just another bad habit, like smoking, and you keep poisoning yourself without thinking about it.
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