Quote

You never know when it will be the last time you'll see your father, or kiss your wife, or play with your little brother, but there's always a last time. If you could remember every last time, you'd never stop grieving.

Jonathan Tropper

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Jonathan Tropper
Age: 54
Born: 1970
Born: February 19
Executive Producer
Novelist
Screenwriter
Writer
Riverdale
New York City
Always
Lasts
Never
Last
Time
Father
Grieving
Remember
Kiss
Littles
Kissing
Little
Brother
Play
Wife
Every
Stop

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The whole purpose of screenwriting is to convey everything through action and dialogue and not explanation and exposition. To me, there are movies where voiceover works really well because it does something more than exposition it actually becomes a tonal element of the movie.
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I've never been shot, but this probably what it feels like, that second of nothingness right before the pain catches up to the bullet.
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We're all clichés, all following scripts that have been written and played out long before we landed the role.
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I loved her for the way she embraced the unknown, how she opened herself up to every experience. When I was with her, she opened me up, too, stirred my passion and heightened my every sensation. Which was great, until she left me and all my heightened senses to deal with the heartache of losing her.
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At some point, being angry is just another bad habit, like smoking, and you keep poisoning yourself without thinking about it.
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Pity, I've learned, is like a fart. You can tolerate your own, but you simply can't stand anyone else's.
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Silver is forty-four years old, if you can believe it, out of shape, and depressed—although he doesn’t know if you call it depression when you have good reason to be maybe then you’re simply sad, or lonely, or just painfully aware, on a daily basis, of all the things you can never get back.
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I’m living in separate universes, and I have no idea where I actually belong.
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Don't you think if I was able to make some changes, I would have already?
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You can sit up here, feeling above it all while knowing you’re not, coming to the lonely conclusion that the only thing you can ever really know about anyone is that you don’t know anything about them at all.
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And even if you didn't fall in love in the eighties, in your mind it will feel like the eighties, all innocent and airbrushed, with bright colors and shoulder pads and Pat Benetar or the Cure on the soundtrack.
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Life, for the most part, inevitably becomes routine, the random confluence of timing and fortune that configures its components all but forgotten. But every so often, I catch a glimpse of my life out of the corner of my eye, and am rendered breathless by it.
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Everyone always wants to know how you can tell when it's true love, and the answer is this: when the pain doesn't fade and the scars don't heal, and it's too damned late.
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As far as rapprochements go, it's awkward and vague, but the advantage of being as emotionally inarticulate as we are is that it will do the trick.
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It's sort of an organic process when you're adapting any book, not even just your own. You want to preserve the heart of the story and you want to preserve who the characters are, but film requires a lot of compression.
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There are some people out there who don't wait for what come next. They decide what should come next and they go and make it happen.
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