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Shyness is when you turn your head away from something you want.

Jonathan Safran Foer

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Jonathan Safran Foer
Age: 47
Born: 1977
Born: February 21
Novelist
Writer
Washington
District of Columbia
Something
Shyness
Turn
Head
Turns
Away

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The French, who love their dogs, sometimes eat their horses. The Spanish, who love their horses, sometimes eat their cows. The Indians, who love their cows, sometimes eat their dogs.
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I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it?
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Only humans can cry tears.
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[She] always knew he was a fiction but believed in him anyway.
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Everything that's born has to die, which means our lives are like skyscrapers. The smoke rises at different speeds, but they're all on fire, and we're all trapped.
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I think it's a greater risk not to write about 9\11. If you're in my position - a New Yorker who felt the event very deeply and a writer who wants to write about things he feels deeply about - I think it's risky to avoid what's right in front of you.
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If I’d been someone else in a different world I’d've done something different, but I was myself and the world was the world, so I was silent.
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And here I am, instead of there. I'm sitting in this library, thousands of miles from my life, writing another letter I know I won't be able to send, no matter how hard I try and how much I want to. How did that boy making love behind that shed become this man writing this letter at this table?
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The gift is for you...The surprise is for me.
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The more exposure people have to the realities of factory farming, the more we will see people rejecting it. It's already happening.
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As long as I am thinking, I am alive.
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Everything is the way it is because everything was the way it was
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If we are not given the option to live without violence, we are given the choice to center our meals around harvest or slaughter, husbandry or war. We have chosen slaughter. We have chosen war. That's the truest version of our story of eating animals. Can we tell a new story?
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The writing itself is no big deal. The editing, and even more than that, the self-doubt, is excruciatingly impossible.
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Stories about food are stories about us-our history and our values.
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We talked about nothing in particular, but it felt like we were talking about the most important things.
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Weeks passed like boats waiting to sail into the starless dawn, we were full of aimless endless darkness.
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But what she was really trying to say was this: I like music better than anything in the world, after you.
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I wanted to touch him, to tell him that even if everyone left everyone, I would never leave him, he talked and talked, his words fell through him, trying to find the floor to his sadness.
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