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It was terrible. All of the things we couldn't share. The room was filled with conversations we weren't having.
Jonathan Safran Foer
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Jonathan Safran Foer
Age: 47
Born: 1977
Born: February 21
Novelist
Writer
Washington
District of Columbia
Rooms
Share
Conversations
Things
Weren
Filled
Conversation
Couldn
Room
Terrible
More quotes by Jonathan Safran Foer
She extended a hand that I didn't know how to take, so I broke its fingers with my silence.
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What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?
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But come. No explaining or mending. Be beside me somewhere.
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It would be possible, in theory, for life and art to be reversed.
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If the thrill of hunting were in the hunt, or even in the marksmanship, a camera would do just as well.
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If it weren't my life, I wouldn't have believed it.
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Then I have some bad news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.
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In my family, Father is the world champion at ending conversations.
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The gift is for you...The surprise is for me.
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Imagine being served a plate of sushi. But this plate also holds all of the animals that were killed for your serving of sushi. The plate might have to be five feet across.
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When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much.
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I wanted so much to have a life. Even just once, even for a second.
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I got incredibly heavy boots about how relatively insignificant life is, and how, compared to the universe and compared to time, it didn’t even matter if I existed at all.
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I am always sad, I think. Perhaps this signifies that I am not sad at all, because sadness is something lower than your normal disposition, and I am always the same thing. Perhaps I am the only person in the world, then, who never becomes sad. Perhaps I am lucky.
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All really great artists, Jackson Pollack, John Cage, Beckett or Joyce - you are never indifferent to them.
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I hope you never think about anything as much as I think about you.
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We need a better way to talk about eating animals, a way that doesn't ignore, or even just shruggingly accept things like habits, cravings, family and history, but rather incorporates them into the conversation. The more they are allowed in, the more strongly we will want to follow our best instincts.
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This brings me back to the image of Kafka standing before a fish in the Berlin aquarium, a fish on which his gaze fell in a newly found peace after he decided not to eat animals. Kafka recognized that fish as a member of his invisible family- not as his equal, of course, but as another being that was his concern.
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Art can be very political but that can't be the purpose of art, it can't be the driving force. It isn't with any of the books that I love, anyway.
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Something having been done just about everywhere just about always is no kind of justification for doing it now.
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