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My insides don't match up with my outsides. Do anyone's inside and outsides match up? I don't know. I'm only me. Maybe that's what a person's personality is: the difference between the inside and the outside.
Jonathan Safran Foer
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Jonathan Safran Foer
Age: 47
Born: 1977
Born: February 21
Novelist
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Washington
District of Columbia
Person
Personality
Outside
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Inside
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Maybe
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Anyone
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More quotes by Jonathan Safran Foer
It's the tragedy of loving, you can't love anything more than something you miss.
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I didn't feel empty. I wished I'd felt empty. ... I wanted to be empty like an overturned pitcher. But I was full like a stone.
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Living on a planet of fixed size requires compromise, and while we are the only party capable of negotiating, we are not the only party at the table. We've never claimed more, and we've never had less.
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I wasn’t having second thoughts, but I was having thoughts.
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I saw Herschel and he saw me and we stood next to each other because that is what friends do in the presence of evil or love.
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As I've grown older, I've grown more convinced there's nothing that shouldn't be talked about. If we think we're protecting each other, we're not.
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September 11 had such a strong visual component, the most visually documented event in human history. Nothing's ever been seen by as many people as that was. Our experiences of the day, our memories of the day are just so tied up in images of buildings falling and bodies falling.
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She wanted more, more slang, more figures of speech, the bee's knees, the cats pajamas, horse of a different color, dog-tired, she wanted to talk like she was born here, like she never came from anywhere else
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I didn't intend to write about totems or people searching. I tried not to constrain myself, and this is what I ended up with. There's this great Auden quote: I look at what I write so I can see what I think.
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There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on.
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I know lots and lots and lots of vegetarians who think it's perfectly all right to kill animals for food to eat, but don't do it because they think all the ways in which it's done are wrong.
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Everything is the way it is because everything was the way it was
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She brushed her eyelashes against his chest.
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Can’t you even tell me if I’m on the right track? Buckminster purred, and Dad shrugged his shoulders again. But if you don’t tell me anything, how can I ever be right? He circled something in an article and said, Another way of looking at it would be, how could you ever be wrong?
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We shouldn't be intimidated by someone else's idea of perfection if it will prevent us from taking steps we actively want to take.
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When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much.
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The French, who love their dogs, sometimes eat their horses. The Spanish, who love their horses, sometimes eat their cows. The Indians, who love their cows, sometimes eat their dogs.
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I'm a novelist, I'm not an activist. I'm not a non-fiction writer, I'm not a journalist. I'm not a foodie, I'm not even really an animal person, or an environmentalist. I did the best I could with this, but it's not who I am.
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My test for writing is always, is this fun or does it feel like a job? Is it moving me? Or am I just fulfilling my own expectations - or even worse, somebody else's?
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