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I have so much to say to you. I want to begin at the beginning, because that is what you deserve. I want to tell you everything, without leaving out a single detail. But where is the beginning? And what is everything?
Jonathan Safran Foer
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Jonathan Safran Foer
Age: 47
Born: 1977
Born: February 21
Novelist
Writer
Washington
District of Columbia
Deserve
Begin
Beginning
Single
Tell
Everything
Detail
Without
Details
Much
Leaving
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Grandfather kicked the stop pedal, and my face gave a high-five to the front window.
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We are lying to ourselves and to each other. Lying about what? I don't care if we're lying. I am a bad person. I don't care. I don't care what you are.
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Hunting will never feed lots of people it will always be a hobby.
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We live in a world made up more of story than stuff. We are creatures of memory more than reminders, of love more than likes.
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Sometimes I imagined stitching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love? Why does anyone ever make love?
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I regret that it takes a life to learn how to live.
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I'm deeply curious about Jewish things. I've toyed around with the idea of going to rabbinical school.
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I missed you even when I was with you. That’s been my problem. I miss what I already have, and I surround myself with things that are missing.
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I am sure people tell you this constantly but if you looked up 'incredibly beautiful' in the dictionary there would be a picture of you.
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None of the ways people were talking about September 11 felt right to me. I don't buy into the way George W. Bush talks about it. I don't buy into the way the 9/11 commission talks about it. It isn't that I don't believe them. It's just that they're not the tellings for me.
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As long as I am thinking, I am alive.
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Abraham responds Here I am when God asks him to sacrifice his son, and he answers Here I am when his son asks him about what is happening. It's a paradoxical moment. He can't be fully present for his God or his son.
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I could tell that Mom was dreaming, but I didn't want to know what she was dreaming about, because I had enough of my own nightmares, and if she had been dreaming something happy, I would have been angry at her for dreaming something happy.
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To remember my values, I need to lose certain tastes and find other handles for the memories that they once helped me carry.
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I need an office, so I can have a place where I don't write.
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I always write out of a need to read something, rather than a need to write something.
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There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on.
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