Quote

I said, 'I need to know how he died.' He flipped back and pointed at, 'Why?' So I can stop inventing how he died. I'm always inventing.

Jonathan Safran Foer

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Jonathan Safran Foer
Age: 47
Born: 1977
Born: February 21
Novelist
Writer
Washington
District of Columbia
Always
Flipped
Inventing
Pointed
Died
Stop
Back
Need
Needs

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We all choose things, and we also all choose against things. I want to be the kind of person who chooses for more than chooses against.
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Writing's funny, it's like walking down a hall in the dark looking for the light switch, and suddenly you find it, flip it on, and then you discover the hallway you passed through is papered with the novel you've written.
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This is love, she thought, isn't it? When you notice someone's absence and hate that absence more than anything? More, even, than you love his presence?
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People who become used to saying little become used to feeling little.
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I regret that it takes a life to learn how to live.
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Abraham responds Here I am when God asks him to sacrifice his son, and he answers Here I am when his son asks him about what is happening. It's a paradoxical moment. He can't be fully present for his God or his son.
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Is that growing old? Or is it something worse?
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She laughed enough to migrate an entire flock of birds. That was how she said yes
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There's nothing wrong with not understanding yourself.
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I missed you even when I was with you. That’s been my problem. I miss what I already have, and I surround myself with things that are missing.
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There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on.
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Words never mean what we want them to mean.
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Imagine being served a plate of sushi. But this plate also holds all of the animals that were killed for your serving of sushi. The plate might have to be five feet across.
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Jed Perl writes precisely and ecstatically. Antoine' s Alphabet is a history and a fairy tale, a work of criticism, and a work of art.
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It is unrealistic to think you can have an inflexible identity that never has to give or take or make compromises.
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Succotash my Balzac, dipshiitake.
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What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?
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It was getting hard to keep all the things I didn't know inside me.
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I need an office, so I can have a place where I don't write.
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Just to be a functioning adult in the world, we develop all of these layers of protection. When we see homeless people, we don't cry, even though homeless people probably deserve our tears - you know, it's a horrible thing.
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