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The north-south line of 'the mountains,' meaning the Cascade Range, forty miles east of Seattle, is a rigid political frontier.

Jonathan Raban

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Jonathan Raban
Age: 82
Born: 1942
Born: June 14
Novelist
Travel Writer
Writer
Lines
North
Political
Range
Cascade
Miles
Frontier
East
Seattle
Mountain
Rigid
South
Frontiers
Meaning
Mountains
Line
Forty

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It's been so long since a talented writer last occupied the White House no wonder, then, that American writers have been among the most prominent of all the demographic groups claiming a piece of Barack Obama for themselves.
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Seattle was built out on pilings over the sea, and at high tide the whole city seemed to come afloat like a ship lifting free from a mud berth and swaying in its chains.
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No president has come near to rivaling Lincoln as a writer.
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At night, what you see is a city, because all you see is lights. By day, it doesn't look like a city at all. The trees out-number the houses. And that's completely typical of Seattle. You can't quite tell: is it a city, is it a suburb, is the forest growing back?
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Seattle is a liberal city, its politics not so much blue in the American, not the British, sense as deep ultramarine, and its manners are studiously polite.
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'Rage' is the word that most often attaches itself to the Tea Party movement, and it's true that, from the outside looking in, their public demonstrations appear to be more enraged than any political events in America since the race riots and anti-war protests of the 1960s.
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If we live inside a bad joke, it is up to us to learn, at best and worst, to tell it well.
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We need – more urgently than architectural utopias, ingenious traffic disposal systems, or ecological programmes – to comprehend the nature of citizenship, to make serious imaginative assessment of that special relationship between the self and the city its unique plasticity, its privacy and freedom.
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Every White House has had its intellectuals, but very few presidents have been intellectuals themselves - Thomas Jefferson, John Adams, Woodrow Wilson, the list more or less stops there.
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I've taught the better class of tourist both to see and not to see to lift their eyes above and beyond the inessentials, and thrill to our western Nature in her majesty.
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Seattle is not an overly friendly city. It is a civil city, but not altogether friendly. People from outside mistake the civility for friendliness. Seattle is full of people who have their own lives to live. They won't waste their time being friendly. But they are civil.
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My new city [Seattle] and its hinterland felt deceptively homely. Their similar latitude gave them the angular light and lingering evenings I was used to. Their damp marine weather, blowing in from the southwest, came in the right direction. When the mountains are hidden under a low sky, one might almost imagine oneself to be in Britain.
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In an underdeveloped country don't drink the water. In a developed country don't breathe the air.
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When New Yorkers tell one about the dangers of their city, the muggings, the dinner parties to which no one turns up for fear of being attacked on the way, the traffic snarl-ups, the bland indifference of the city cops, they are unmistakably bragging.
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In the city one clings to nostalgic and unreal signs of community, takes forced refuge in codes, badges and coteries the city's life, of surfaces and locomotion, usually seems too dangerous and demanding to live through with any confidence.
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All this piling up of one technology on top of another-railroad on steamboat, interstate highway on railroad, hydroelectric dam on watermill-had reduced the Mississippi from a wonder of nature to this sluggish canal on the wrong side of the tracks.
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Simply as a writer of books I'm thrilled and proud that Seattle should have raised, on a public vote, sufficient money to build a central library, and moreover to rebuild every other library in the city: 28 of them.
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'Dreams From My Father' reveals more about Obama than is usually known about political leaders until after they're dead. Perhaps more than it intends, it shows his mind working, in real time, sentence by sentence, in what feels like a private audience with the reader.
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