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I'm hoping that the suspension of the space program is just that, a suspension, and that it's not the final say in the matter, because I think we need it.

Jonathan Nolan

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Jonathan Nolan
Age: 48
Born: 1976
Born: June 6
Director
Executive Producer
Film Director
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Writer
London
England
Needs
Suspension
Think
Hoping
Thinking
Final
Finals
Program
Space
Matter
Need

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One of the things with our show is posing a lot of questions, but getting a lot of answers too.
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I think that we, as human beings, always need to conquer our fears and reach beyond our grasp and I think it's very important that we don't become complacent or stagnant.
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The thing about working on a TV show is that it becomes, very quickly, all consuming.
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Believing the lie that time will heal all wounds is just a nice way of saying that time deadens us.
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None of us like violence in the real world, but we're fascinated with it onscreen.
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Mankind's expectations have to be greater than ourselves and that the further out there we go, the more we find out that it's about you and me.
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Even if you're not a parent, you have parents and you've been in those situations where there's a certain kind of goodbye - nothing this extreme exists, but I think that's what everyone holds onto, that common denominator that runs through this that everyone can understand.
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We are the only instrument for understanding the universe. We have to ground it in human beings.
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If you're good at something, never do it for free.
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For me, the attraction of TV is that you continue to get to tell those stories and refine those characters. The other thing is that TV, in the last years, got really, really, really good.
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We're going to leave this planet at some point further than we have, we're going to go beyond the moon, we're going to go to mars. We all kind of know that on some level, I think actually. So there's an inevitability to human evolution, this being the next step.
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Television is very different than working on film. With films, you get to develop a set of characters, and then, at the end of the film, you have to throw them away.
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Time is an absurdity. An abstraction. The only thing that matters is this moment.
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I thought it would be an enormous amount of fun to make a movie that heads out into space, which is something that we had never done before.
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I remember when I was a kid my first real confrontation with space travel was when the Challenger exploded and I remember how traumatic that was for me, because I remember watching that on the news and all the children in our class were watching.
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Because he's the hero Gotham deserves, but not the one it needs right now. So we'll hunt him. Because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A dark knight.
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Time eventually convinces most of us that forgiveness is a virtue. Conveniently, cowardice and forgiveness look identical at a certain distance.
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I always love it best when you have a project where there is this commingling of the subject matter and the way in which you're recording that subject matter.
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I'm a big believer in pose some questions and then answer a few of them before you move onto the next set of questions.
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To a certain degree, with a TV show, people are looking for a certain amount of familiarity. You don't want to pull the rug out, but you also want to keep things fresh and keep changing it up.
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