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We used to look up at the sky and wonder at our place in the stars. Now we just look down, and worry about our place in the dirt.
Jonathan Nolan
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Jonathan Nolan
Age: 48
Born: 1976
Born: June 6
Director
Executive Producer
Film Director
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Writer
London
England
Used
Look
Interstellar
Looks
Dirt
Sky
Worry
Wonder
Stars
Place
More quotes by Jonathan Nolan
The secret to all drama, film, TV, or books - the thing that people respond to most, and the thing I find myself as a viewer feeling most interested in, is the idea of change.
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I've worked in the movie business for many, many years, where you have lots of days and lots of money. It's really mainly about time. We always try to conceive all of our action from a place of, What can we shoot that looks fantastic?, rather than trying to do the kinds of thing that you would be able to accomplish in a movie.
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Typically with HBO shows, the ninth episode often winds up being a big one and when lots of exciting stuff happens. And then the tenth one is the more placid, character-based one.
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We are the only instrument for understanding the universe. We have to ground it in human beings.
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One of the things with our show is posing a lot of questions, but getting a lot of answers too.
Jonathan Nolan
I always love it best when you have a project where there is this commingling of the subject matter and the way in which you're recording that subject matter.
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Time eventually convinces most of us that forgiveness is a virtue. Conveniently, cowardice and forgiveness look identical at a certain distance.
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I remember when I was a kid my first real confrontation with space travel was when the Challenger exploded and I remember how traumatic that was for me, because I remember watching that on the news and all the children in our class were watching.
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The thing about working on a TV show is that it becomes, very quickly, all consuming.
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For a few minutes of every day, every man becomes a genius. This is the tragedy of life.
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I was definitely looking for a reason to impose rules in the story during the writing process... a set of reasons that you could graph for why it's not chaos and anarchy - for why it has to be order, and why you need architects and an architectural brain to create the world of the dream for the subject to enter.
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I'm hoping that the suspension of the space program is just that, a suspension, and that it's not the final say in the matter, because I think we need it.
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Believing the lie that time will heal all wounds is just a nice way of saying that time deadens us.
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I think that we, as human beings, always need to conquer our fears and reach beyond our grasp and I think it's very important that we don't become complacent or stagnant.
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None of us like violence in the real world, but we're fascinated with it onscreen.
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One of the things that's really fun to tap in with television right now is this sort of explosion, the peak TV moment that we're in, people are exploring different modes of storytelling here. But one of the exciting things here is being able to commit upfront to a big, big, big story.
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If you're good at something, never do it for free.
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To a certain degree, with a TV show, people are looking for a certain amount of familiarity. You don't want to pull the rug out, but you also want to keep things fresh and keep changing it up.
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Time is an absurdity. An abstraction. The only thing that matters is this moment.
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Even if you're not a parent, you have parents and you've been in those situations where there's a certain kind of goodbye - nothing this extreme exists, but I think that's what everyone holds onto, that common denominator that runs through this that everyone can understand.
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