Quote

Time eventually convinces most of us that forgiveness is a virtue. Conveniently, cowardice and forgiveness look identical at a certain distance.

Jonathan Nolan

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Jonathan Nolan
Age: 48
Born: 1976
Born: June 6
Director
Executive Producer
Film Director
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
Writer
London
England
Time
Convince
Forgiveness
Eventually
Distance
Virtue
Convinces
Certain
Conveniently
Look
Identical
Looks
Cowardice

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I was definitely looking for a reason to impose rules in the story during the writing process... a set of reasons that you could graph for why it's not chaos and anarchy - for why it has to be order, and why you need architects and an architectural brain to create the world of the dream for the subject to enter.
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The thing about working on a TV show is that it becomes, very quickly, all consuming.
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We used to look up at the sky and wonder at our place in the stars. Now we just look down, and worry about our place in the dirt.
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If you're good at something, never do it for free.
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The secret to all drama, film, TV, or books - the thing that people respond to most, and the thing I find myself as a viewer feeling most interested in, is the idea of change.
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I was struck by - Einstein's a fascinating figure who didn't have any instruments that he used, he didn't use telescopes, he used his mind to try to understand the universe.
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Believing the lie that time will heal all wounds is just a nice way of saying that time deadens us.
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One of the things with our show is posing a lot of questions, but getting a lot of answers too.
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Typically with HBO shows, the ninth episode often winds up being a big one and when lots of exciting stuff happens. And then the tenth one is the more placid, character-based one.
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I always love it best when you have a project where there is this commingling of the subject matter and the way in which you're recording that subject matter.
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Television is very different than working on film. With films, you get to develop a set of characters, and then, at the end of the film, you have to throw them away.
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To a certain degree, with a TV show, people are looking for a certain amount of familiarity. You don't want to pull the rug out, but you also want to keep things fresh and keep changing it up.
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I'm hoping that the suspension of the space program is just that, a suspension, and that it's not the final say in the matter, because I think we need it.
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Time is an absurdity. An abstraction. The only thing that matters is this moment.
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I thought it would be an enormous amount of fun to make a movie that heads out into space, which is something that we had never done before.
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I'm a big believer in pose some questions and then answer a few of them before you move onto the next set of questions.
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I remember when I was a kid my first real confrontation with space travel was when the Challenger exploded and I remember how traumatic that was for me, because I remember watching that on the news and all the children in our class were watching.
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Because he's the hero Gotham deserves, but not the one it needs right now. So we'll hunt him. Because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A dark knight.
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I've worked in the movie business for many, many years, where you have lots of days and lots of money. It's really mainly about time. We always try to conceive all of our action from a place of, What can we shoot that looks fantastic?, rather than trying to do the kinds of thing that you would be able to accomplish in a movie.
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For me, the attraction of TV is that you continue to get to tell those stories and refine those characters. The other thing is that TV, in the last years, got really, really, really good.
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