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I have no one to blame for the construction for myself, of course, but I'm always surprised and slightly sulky when I realizeВ people are buying the whole thing.

Jonathan Lethem

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Jonathan Lethem
Age: 60
Born: 1964
Born: February 19
Author
Essayist
Novelist
Science Fiction Writer
Writer
New York City
New York
Jonathan Allen Lethem
Harry Conklin
Thing
Surprised
Always
Buying
People
Blame
Realize
Realizing
Courses
Sulky
Course
Slightly
Whole
Construction

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All paths lead nowhere choose one with heart...
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I'm gregarious with writers and never with manuscripts . . . I [like to] create the illusion of seamless perfection, so I alone know the flawed homely process along the way.
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I’ve always been uninterested in boundaries or quarantines between tastes and types, between mediums and genres.
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How often had that hydrant even been opened? Did you jet water through a car window, what, twice at best? Summer burned just a few afternoons long, in the end. As for flying, Dose never even glanced at the sky. Flying was a summer within a summer, a whim. So why think of it at all?
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Art is about eliminating almost everything in order to focus on the thing that you need to talk about.
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Yet I'm making a book and I'm going to care immensely about what words get bound in the pages, and I want the object to look good. I won't believe in it and it won't be real to me until there's a finished book I can hold.
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I don't write about anything I don't love even if that love sometimes gets all screwed up and tormented.
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Every book is a kind of experiment in doing something that feels impossible.
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I tend to think of myself as a highly emotional writer. It's all coming out of the deepest feelings, out of dreams, out of the unconscious.
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I got into underground comics fairly early on and kind of wandered away from the superhero stuff, but I was an art student and I was drawing a lot as a kid.
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The key to mostly anything is pretending your first time isn't.
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I don't want to indulge myself in the luxury of writing beautiful paragraphs just for the sake of making beautiful writing. That doesn't interest me. I want everything to be essential.
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What's lucky about my career in general is that I stumbled into what every writer most wants. Not repeating myself and doing strange things has become my trademark.
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I had an all-Fear of Music iPod, just versions of the 11 songs from the record. No other songs allowed.
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Fantastic writing in English is kind of disreputable, but fantastic writing in translation is the summit.
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Making books has always felt very connected to my bookselling experience, that of wanting to draw people's attention to things that I liked, to shape things that I liked into new shapes.
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Some people have things written all over their faces the big guy had a couple of words misspelled in crayon on his.
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I never take any notes or draw charts or make elaborate diagrams, but I hold an image of the shape of a book in my head and work from that mental hologram.
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Reading and writing are the same thing it's just one's the more active and the other's the more passive. They flow into each other.
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My heart and the elevator, a plummet inside a plummet.
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