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Just as the camera draws a stake through the heart of serious portraiture, television has killed the novel of social reportage.
Jonathan Franzen
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Jonathan Franzen
Age: 65
Born: 1959
Born: August 17
Essayist
Novelist
Writer
Jonathan Earl Franzen
Novel
Reportage
Serious
Portraiture
Stake
Television
Stakes
Social
Killed
Heart
Camera
Cameras
Draws
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The reader is a friend, not an adversary, not a spectator.
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The world was ending then, it's ending still, and I'm happy to belong to it again.
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It was a way of recognizing places of enchantment: people falling asleep like this.
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Birds were like dinosaurs' better selves. They had short lives and long summers. We all should be so lucky as to leave behind such heirs.
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I was a late child from my parents, so I grew up surrounded by people a lot older than me. I think even when I was 21, I felt like I was a 70-year-old man.
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He became another data point in the American experiment of self-government, an experiment statistically skewed from the outset, because it wasn't the people with sociable genes who fled the crowded Old World for the new continent it was the people who didn't get along well with others.
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I think the mission for the writer is to tell stories in a compelling way about the stuff that cannot be talked about, that cannot be gotten at with shallow media.
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How wrong to have been so negative, how wrong to have been so gloomy, how wrong to have run away from life, how wrong to have said no, again and again, instead of yes.
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Family's the one thing you can't change. You can cover yourself with tattoos. You can get a grapefruit-sized ring going through your earlobe. You can change your name. You can move to a different continent. But you cannot change who your parents were, and who your siblings are, and who your children are.
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[T]o love a specific person, and to identify with his or her struggles and joys as if they were your own, you have to surrender some of your self.
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This evening I begin a notebook. If anyone reads this, I trust they will forgive my overuse of I. I can't stop it. I'm writing this.
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It seems to me self-evident that if you have a life, things happen in it, and certain things do change certain things end. People you know die.
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Fiction that isn't an author's personal adventure into the frightening or the unknown isn't worth writing for anything but money.
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It's very liberating for me to realize that I don't have to step up to the plate with a plot that involves the U.N. Security Council.
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The place of stillness that you have to go to to write, but also to read seriously, is the point where you can actually make responsible decisions, where you can actually engage productively with an otherwise scary and unmanageable world.
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So, what, you got cigarette burns, too? Gitanes said. Chip showed his palm, It's nothing. Self-inflicted. You pathetic American. Different kind of prison Chip said.
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