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His tiredness hurt so much it kept him awake.

Jonathan Franzen

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Jonathan Franzen
Age: 65
Born: 1959
Born: August 17
Essayist
Novelist
Writer
Jonathan Earl Franzen
Awake
Kept
Hurt
Much
Tiredness

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Popularity has become its own justification.
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It was a way of recognizing places of enchantment: people falling asleep like this.
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Expecting a novel to bear the weight of our whole disturbed society—to help solve our contemporary problems—seems to me a peculiarly American delusion. To write sentences of such authenticity that refuge can be taken in them: isn't this enough? Isn't it a lot?
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The most purely autobiographical ­fiction requires pure invention. Nobody ever wrote a more auto­biographical story than The Meta­morphosis.
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It's doubtful that anyone with an internet connection at his workplace is writing good fiction.
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How wrong to have been so negative, how wrong to have been so gloomy, how wrong to have run away from life, how wrong to have said no, again and again, instead of yes.
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I've moved away from that sort of deep-ecological extremism. I started to think: what can we do for wild birds right now? I don't want these particular species to disappear.
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An ink bottle, which now seems impossibly quaint, was still thinkable as a symbol in 1970.
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Since our technology is really just an extension of ourselves, we don’t have to have contempt for its manipulability in the way we might with actual people. It’s all one big endless loop. We like the mirror and the mirror likes us. To friend a person is merely to include the person in our private hall of flattering mirrors.
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I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.
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I'm not too concerned what happens to my books after I'm dead. But I am very concerned by what's going on with the culture of reading and writing nowadays.
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He became another data point in the American experiment of self-government, an experiment statistically skewed from the outset, because it wasn't the people with sociable genes who fled the crowded Old World for the new continent it was the people who didn't get along well with others.
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It seems to me self-evident that if you have a life, things happen in it, and certain things do change certain things end. People you know die.
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Life, in her experience, had a kind of velvet luster. You looked at yourself from one perspective and all you saw was weirdness. Move your head a little bit, though, and everything looked reasonably normal.
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Patty knew, in her heart, that he was wrong in his impression of her. And the mistake she went to go on to make, the really big life mistake, was to go along with Walter's version of her in spite of knowing that it wasn't right. He seemed so certain of her goodness that eventually he wore her down.
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Being dead's only a problem if you know you're dead, which you never do because you're dead!
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Today's Baudelaires are hip-hop artists.
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There is, after all, a kind of happiness in unhappiness, if it's the right unhappiness.
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The novelist has more and more to say to readers who have less and less time to read: where to find the energy to engage a culture in crisis when the crisis consists in the impossibility of engaging with the culture?
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You encountered a misery near the end of the day and it took a while to gauge its full extent. Some miseries had sharp curvature and could be negotiated readily. Others had almost no curvature and you knew you'd be spending hours turning the corner. Great whopping-big planet-sized miseries.
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