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There's a hazardous sadness to the first sounds of someone else's work in the morning it's as if stillness experiences pain in being broken.
Jonathan Franzen
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Jonathan Franzen
Age: 65
Born: 1959
Born: August 17
Essayist
Novelist
Writer
Jonathan Earl Franzen
Someone
Sadness
Firsts
Sounds
First
Experiences
Work
Broken
Morning
Sound
Pain
Hazardous
Else
Stillness
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[T]o love a specific person, and to identify with his or her struggles and joys as if they were your own, you have to surrender some of your self.
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It's very liberating for me to realize that I don't have to step up to the plate with a plot that involves the U.N. Security Council.
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The world was ending then, it's ending still, and I'm happy to belong to it again.
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Since our technology is really just an extension of ourselves, we don’t have to have contempt for its manipulability in the way we might with actual people. It’s all one big endless loop. We like the mirror and the mirror likes us. To friend a person is merely to include the person in our private hall of flattering mirrors.
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I was a late child from my parents, so I grew up surrounded by people a lot older than me. I think even when I was 21, I felt like I was a 70-year-old man.
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Brooklyn was like Philadelphia made better by its proximity to Manhattan.
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I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.
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Fiction that isn't an author's personal adventure into the frightening or the unknown isn't worth writing for anything but money.
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Patty knew, in her heart, that he was wrong in his impression of her. And the mistake she went to go on to make, the really big life mistake, was to go along with Walter's version of her in spite of knowing that it wasn't right. He seemed so certain of her goodness that eventually he wore her down.
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There is, after all, a kind of happiness in unhappiness, if it's the right unhappiness.
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Fiction is a solution, the best solution, to the problem of existential solitude.
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This evening I begin a notebook. If anyone reads this, I trust they will forgive my overuse of I. I can't stop it. I'm writing this.
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The place of stillness that you have to go to to write, but also to read seriously, is the point where you can actually make responsible decisions, where you can actually engage productively with an otherwise scary and unmanageable world.
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When I finally gave up any hope of doing anything representative of the American family, I actually seemed to have tapped into other people's weirdness in that way.
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The problem with making a virtual world of oneself is akin to the problem with projecting ourselves onto a cyberworld: there’s no end of virtual spaces in which to seek stimulation, but their very endlessness, the perpetual stimulation without satisfaction, becomes imprisoning.
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His tiredness hurt so much it kept him awake.
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Then she waited, with parted lips and a saucy challenge in her eyes, to see how her presence -- the drama of being her -- was registering. In the way of such chicks, she seemed convinced of the originality of her provocation.
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I've moved away from that sort of deep-ecological extremism. I started to think: what can we do for wild birds right now? I don't want these particular species to disappear.
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