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Every good writer I know needs to go into some deep, quiet place to do work that is fully imagined. And what the Internet brings is lots of vulgar data. It is the antithesis of the imagination. It leaves nothing to the imagination.
Jonathan Franzen
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Jonathan Franzen
Age: 65
Born: 1959
Born: August 17
Essayist
Novelist
Writer
Jonathan Earl Franzen
Work
Quiet
Antithesis
Every
Internet
Vulgar
Good
Deep
Imagined
Writer
Data
Imagination
Lots
Place
Leaves
Nothing
Brings
Needs
Fully
More quotes by Jonathan Franzen
I feel that working environmentalists are, in the main, happier than armchair environmentalists.
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This evening I begin a notebook. If anyone reads this, I trust they will forgive my overuse of I. I can't stop it. I'm writing this.
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You encountered a misery near the end of the day and it took a while to gauge its full extent. Some miseries had sharp curvature and could be negotiated readily. Others had almost no curvature and you knew you'd be spending hours turning the corner. Great whopping-big planet-sized miseries.
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It's doubtful that anyone with an internet connection at his workplace is writing good fiction.
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I really enjoy doing both, but I didn't write nonfiction until 1994.
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The world was ending then, it's ending still, and I'm happy to belong to it again.
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Life, in her experience, had a kind of velvet luster. You looked at yourself from one perspective and all you saw was weirdness. Move your head a little bit, though, and everything looked reasonably normal.
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I've moved away from that sort of deep-ecological extremism. I started to think: what can we do for wild birds right now? I don't want these particular species to disappear.
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I feel as if I'm clearly part of a trend among writers who take themselves seriously - and I confess to taking myself as seriously as the next writer.
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To me, the point of a novel is to take you to a still place. You can multitask with a lot of things, but you can’t really multitask reading a book.
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It was a way of recognizing places of enchantment: people falling asleep like this.
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I was about 13, in some ways, when I wrote the first book. Approximately 18 when I wrote the second.
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It seems to me self-evident that if you have a life, things happen in it, and certain things do change certain things end. People you know die.
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He became another data point in the American experiment of self-government, an experiment statistically skewed from the outset, because it wasn't the people with sociable genes who fled the crowded Old World for the new continent it was the people who didn't get along well with others.
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There is, after all, a kind of happiness in unhappiness, if it's the right unhappiness.
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I'm not too concerned what happens to my books after I'm dead. But I am very concerned by what's going on with the culture of reading and writing nowadays.
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I'd be surprised if non-fiction writers hate to be interviewed. We all hate them, because there's really nothing to say except Read the book. Right? At least with non-fiction, you can kind of convey some information, and people can decide for themselves whether they want more of that kind of information. But with a novel, what am I going to do
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An ink bottle, which now seems impossibly quaint, was still thinkable as a symbol in 1970.
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Today's Baudelaires are hip-hop artists.
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