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Some cameras are heavier and need to be on tripods. Others are small enough to hide in your pocket. There are places where you don't want to feel like you are disturbing anything, so I may use a camera like that.

Jonas Mekas

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Jonas Mekas
Age: 96 †
Born: 1922
Born: December 24
Died: 2019
Died: January 23
Film Director
Filmmaker
Poet
Screenwriter
Writer
Birzai
Enough
Cameras
Feel
Places
Tripods
Feels
Small
Heavier
Needs
Use
Pocket
Like
Others
Disturbing
Anything
Pockets
May
Hide
Need
Camera

More quotes by Jonas Mekas

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I brought Yoko Ono to New York and gave her her first job there. I was editing a magazine called Film Culture.
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I'm not so much in the future as always in the present. The future always takes care of itself. What I do now with my video camera, it can only record what is happening now. I am celebrating reality and the essence of the moment. And that's the greatest challenge that I have.
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There is no other way to break the frozen cinematic conventions than through a complete derangement of the official cinematic senses.
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For me, to catch, to celebrate the reality and life and friends and everything around me the very moment it happens - that's what is, that's what I'm possessed by.
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We need less perfect but more free films.
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The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.
Jonas Mekas
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In the very end, civilizations perish because they listen to their politicians and not to their poets.
Jonas Mekas
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Yes, I got my first Bolex camera a few weeks after being dropped in New York by the United Nations Refugee Organization. That was on October 29th, 1949. With my brother Adolfas, we wanted to make a film about displaced persons, how one feels being uprooted from one's home.
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An adventurer can always return home an exile cannot. So I decided that my home would be culture.
Jonas Mekas
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We are the measure of all things. And the beauty of our creation, of our art is proportional to the beauty of ourselves of our souls.
Jonas Mekas
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I'm a filmmaker, but my working procedures are different. All my basic structuring is done during the filming. You know, how long I keep the shot, the exposure or the speed - slower or faster, etc. That's structuring. And then there is a second stage of structuring that comes later when I begin to put those pieces together.
Jonas Mekas
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I am very active on the Internet. In 2007, I made one film every day and posted it on my website. That was a 365-day project, really exhausting, but I still put a lot of stuff on - from life, friends, my own life.
Jonas Mekas
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I'm working in a form of cinema that can be described, and has been described, as a diaristic form of cinema. In other words, with material from my own life. I walk through life with my camera, and occasionally I film. I never think about scripts, never think about films, making films.
Jonas Mekas
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As a film-maker and a poet, I feel it's my duty to be an eye and an antenna to what's happening around me. I always felt a solidarity with those who are desperate and confused and misused and are seeking a way out of it.
Jonas Mekas
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Suddenly the intermedia shows are all over town..Theirs remains the most dramatic expression of the contemporary generation. The place where its needs and desperations are most dramatically split open. At the Plastic Inevitable it is All Here and Now and the Future.
Jonas Mekas
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Place means nothing to me. I can be at home anywhere.
Jonas Mekas
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My films are the celebration of reality, of life, of my friends, of actual daily life that passes and is gone tomorrow. We don't pay attention to it when it happens.
Jonas Mekas
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For an artist, to be normal is a disaster
Jonas Mekas
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I began writing poetry when I was about 10. Bad poetry, but you start with bad poetry.
Jonas Mekas
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The deeper I went into culture, the more confused I got. So I needed something more real. I said, Okay, from now on, my country will be cinema.
Jonas Mekas