I was very conscious of race as I was writing. I was lucky to have spent real time in Portuguese Africa, but I am white and my main characters are white, outsiders at sea in the Dark Continent.

One of the great sadnesses of my life, as I take stock at middle age, is the sense that the adventure largely ended by the time I was twenty-five.

I have always had a hard time revising my work as a journalist, which was never much of a problem. You always have editors as backstops. Their job is to perfect your story. Most of them want to be useful.

For all the worship that Ronald Reagan elicits in conservative circles in the United States, I would venture that Thatcher did far more to reshape British society than Reagan did here.

It is simply much easier to infuse life, feeling, and higher truth into a novel than a non-fiction work, to find the license to write truth without being wedded to fact.

I hope I will get to novelize my present circumstances at some point. I have some great stories to tell.

Sometimes truth is stranger than fiction, but usually fiction is just better.

There is, in my mind, no higher compliment to pay a non-fiction book than to say it reads like a novel.

I am not trying to be young again. But I do feel the need to capture that energy in story form before it slips from my mind, to recount those adventures if not relive them.

The professions of novelist and journalist are very separate. As a novelist, you are ultimately working for yourself. Yes, you need the approval of a publisher and an audience, but what is valued in fiction writing - style, individual voice, insight - is scorned by the editor who is combing through your newspaper article.

History - the non-fiction version - must inform the fiction to make it truthful too much of it and your genres are colliding.