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I would say that working with Ridley Scott makes the process of directing much more terrifying.

Jon Spaihts

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Jon Spaihts
Age: 54
Born: 1970
Born: January 1
Film Producer
Photographer
Screenwriter
Writer
New York City
New York
Terrifying
Directing
Working
Process
Makes
Much
Would
Ridley
Scott

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Most of my life, I thought that I would end up a novelist. But then, in New York City, after college, I started a company with a college friend where we made documentary video for museums. In that capacity, I shot, directed, edited and began to learn the vocabulary of film.
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Real vectoring in space, real orbital mechanics, is very counterintuitive, very strange, and very hard to render. It's expensive, and there's a learning curve. Some of it is about raising audience literacy to the point where they understand that.
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An X-wing fighter flies like an airplane. If you look at the physics, it's actually quite impossible.
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I think the greatest danger of the promise of space travel is that it can lead us to be cavalier about the world we live on, if we assume we can find or make more worlds. I think in our lifetimes we surely will not, probably in the lifetimes of our great-great-grand-descendants we will not.
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I'd wanted to be a writer since I was knee-high. Once I knew that books were written by people and didn't just happen, it was obviously that I would write them, too.
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Now with the international space station generating a bunch of video, and Space X and other companies pursuing private space flight, I think it's on all of our radars much more than it has been since the moonshots. The science of filmmaking is making these visions possible now.
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Real space movies have to involve zero gravity and a world without up or down.
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It is true that, with TV, a writer gets a great deal more respect.
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The world may hold startling developments and shocking unknowns.
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I try to keep up, and the scientific perspective is always part of my creative approach.
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You want the mystical understanding of the cosmos to feel compatible with a scientific understanding of the cosmos, like it extends our understanding rather than unwriting it.
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When a new writer comes onto a project, he'll make wholesale changes just to mark the territory or for greater credit.
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Making the right choices on the worlds we explore is going to be our biggest challenge.
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A lot of screenwriters have a drawer of unsold scripts that they cut their teeth on. I don't have one. Everything I've written, after my first spec, I wrote on assignment. Everything I've written was work.
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The reality of space travel I think is somewhere in the middle. We will get there, it will be hard, it will take a long time, and in the end, the most extraordinary thing we will find when we get there will be ourselves.
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